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Abstract
By 1987, David Bowie was at a creative, critical and commercial low. His most recent album was dismissed by the music press, his latest tour written off as a disaster. Yet - almost 20 years later, Bowie has re-established himself at the very peak of his profession in one of the most extraordinary comebacks in rock history. While most biographies on Bowie still focus on the early years, Hallo Spaceboy is the first to chronicle the comeback in detail. Drawing upon exclusive interviews with fans, colleagues and associates, it is the follow-up to Moonage Daydream (1987).