Menu Expand
Scandinavian Museums and Cultural Diversity

Scandinavian Museums and Cultural Diversity

Katherine Goodnow | Haci Akman

(2008)

Additional Information

Book Details

Abstract

Museums face the task of representing the similarities and differences that exist between groups, such as national identities and indigenous and minority voices, material and intangible heritage, and current status and past history. In order to achieve this aim, a complex and not always easily compatible set of interests have to be taken into account, from those of the museum itself, to those of its main audiences, sources of support, and the groups that are, or wish to be, represented. The approach taken by Scandinavian museums in response to this challenge highlights a very active concern for forms of cultural diversity and how they are interrelated.

By bringing together debates and discussions of diversity, this volume offers insight into the Nordic region and its diverse peoples, from the Sámi and the Inuit to newer immigrants. It presents a set of historical reviews on the formation of national museums and emerging and contested perceptions of national identity. Furthering the general debate on representations of diversity and museums, it also offers museum curators possible ways forward.


Katherine Goodnow is Professor at the Department of Information Science and Media Studies at the University of Bergen, Norway. She has published widely on museums and cultural diversity. Her most recent books in the field include Challenge and transformation: Museums in Cape Town and Sydney and Museums, the media and refugees: Stories of crisis, control and compassion. Goodnow combines research with filmmaking and has produced television series and documentaries for Norwegian national broadcasters.


Haci Akman is Associate Professor at the Department of Archaeology, History, Culture and Religious Science, University of Bergen. His research interests include migration, diaspora processes, ethnicity, cultural heritage and museums and diversity. Recent publications in these fields focus on Kurdish and Jewish diaspora societies in the United Kingdom and Norway. Akman is currently working on the development of the Norwegian Kurdish Virtual Museum.

Table of Contents

Section Title Page Action Price
Scandinavian museums and cultural diversity iii
Copyright iv
Contents v
Foreword vii
The construction of identities ix
Today’s museum xxix
Section I. Museums, national minorities and the indigenous xxxvi
Chapter 1. Indigenous peoples and national minorities in Norway 1
Chapter 2. Cultural diversity at the Nordiska Museet in Stockholm 9
Chapter 3. Sámi museums and cultural heritage 23
Chapter 4. Return of the prodigal son 30
Chapter 5. An appetite whetted 37
Chapter 6. The Danish Jewish Museum 42
Chapter 7. Cultural minorities in Danish museums 54
Chapter 8. Kven culture and history in museum terms 68
Section II. Museums and “new migrants” 88
Chapter 9. The Museum of World Culture 89
Chapter 10. Seeking the multicultural in the arts in Finland 101
Chapter 11. Norwegian Yesterday, Today, Tomorrow? 113
Chapter 12. Embroidered history 124
Chapter 13. Norwegian Kurdish Virtual Museum 130
Chapter 14. As in a mirror 140
Chapter 15. The Multicultural Centre, Botkyrka, Sweden 146
Section III. Nation and heritage 150
Chapter 16. Cultural heritage, cultural diversity and museums in Sweden 151
Chapter 17. Intangible cultural heritage and ethnographicmuseum practice in a global perspective 161
Chapter 18. Museums and collective identity 172
Chapter 19. Pluralism, cultural heritage and the museum 187
Chapter 20. Representing community 195
Chapter 21. Museums and related institutions on the FaroeIslands 212
Chapter 22. Renegotiating identity in the National Museumof Iceland 221
Chapter 23. Exhibition forms and influential circumstances 230
Notes on the contributors 246
Index 251