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Abstract
What is Nigel Farage’s favorite novel? Why do Brexiteers love Sherlock Holmes? Is Philip Larkin the best Brexit poet ever? Through the politically relevant sideroad of English Literature, writ large, John Sutherland quarries the great literary minds of English history to assemble the ultimate reading list for Brexiteers.
Brexit shook Britain to its roots and sent shockwaves across the world. But despite the referendum victory, Brexit is peculiarly hollow. It is an idea without political apparatus, without sustaining history, without field-tested ideology. As Sutherland argues: it is without thinkers—like Frankenstein waiting for the lightning bolt. In this irreverent, entertaining, and utterly tongue-in-cheek new guide, Sutherland suggests some stuffing for the ideological vacuity at the heart of the Brexit cause. He looks for meaning in the works of William Shakespeare, Jane Austen, and Thomas Hardy; in modern classics like The Queen and I and London Fields; and in the British national anthem, school songs, and poetry.
Exploring what Britain meant, means, and will mean, Sutherland subtly shows how great literary works have a shaping influence on the world. Witty and insightful, and with a preface by Guardian columnist and critic John Crace, this book belongs on the shelves of anyone seeking to understand the bragging Brexiteers (and the many diehard Remoaners, too).
"The Good Brexiteer’s Guide to English Lit . . . goes some way to explaining why Brexit can make fools of the cleverest people—as well as making fools of fools. Sutherland argues that Brexit is essentially hollow: an idea without political apparatus, without sustaining history and without field-tested ideology. Rather, it was an atavistic set of competing interests. Some wanted to get rid of immigrants; some wanted to restore British sovereignty; some just wanted to give the political elites a kicking. A diehard remainer, Sutherland has performed the ultimate sacrifice. He has given the Brexiters something they were never able to give themselves: a cultural and literary hinterland around which they can unite, and against which Brexit can be better understood."
— John Crace, Guardian
"Sutherland brings the entire literary canon into orbit around the political black hole. Is Blake's 'Jerusalem' Brexity? (Sort of.) Is Kipling? (Not quite.) 'Brexit' itself is an ugly word, especially when you hear it several times on every page, but since the rest of public life is lost in its vortex, why not literature too?"
— Daily Telegraph
John Sutherland is the Lord Northcliffe Professor of Modern English Literature emeritus at University College London. He is the author of many books, including A Little History of Literature, How to Be Well Read, and, most recently, Orwell’s Nose: A Pathological Biography, also published by Reaktion Books.
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Cover | Cover | ||
Title Page | 3 | ||
Imprint Page | 4 | ||
Contents | 7 | ||
Preface by John Crace | 11 | ||
Introduction | 17 | ||
The Battle of Maldon | 21 | ||
Domesday Book | 26 | ||
The Tattooed Heart | 30 | ||
Malory and King Arthur: The Literary Invention of England | 32 | ||
The Literature of the People | 41 | ||
The Bloudie Crosse | 48 | ||
The Brexit Boadicea | 49 | ||
Boadicea in Stone | 56 | ||
Enter the Maybot, Clanking | 58 | ||
Fee-Fi-Fo-Fum: I Smell the Blood of an Englishman! | 59 | ||
Shakespeare: ‘This England’ | 70 | ||
The Oxford Book of English Verse | 76 | ||
School Songsters | 82 | ||
Brexiteers, Buccaneers, Musketeers; or, ‘Up Yours, Señors!’ | 86 | ||
Dickens, Anti-Brexiteer Extraordinaire | 91 | ||
Our National Anthem | 93 | ||
Gibbon: The Congenital British Non Serviam | 97 | ||
Ivanhoe and the Norman Yoke | 100 | ||
Jane Austen’s ‘England’ | 104 | ||
W. E. Henley | 107 | ||
Rivers of Blood Wash over Our Green and Pleasant Land | 111 | ||
Brexit’s Green and Pleasant Land | 118 | ||
A. E. Housman and Thomas Hardy | 121 | ||
DNB/OED | 125 | ||
Land of Hope and Glory | 131 | ||
Orwell: Quarter-French, Wholly English | 134 | ||
Rhodes Must Fall. Kipling Must Go. Buchan Goes On and On | 137 | ||
Kipling Again | 145 | ||
Nigel Farage’s Favourite Novel | 148 | ||
King Solomon’s (Not Africa’s) Mines | 152 | ||
Lady Chatterley’s Lover: ‘Old England’ is Gone Forever | 154 | ||
The Amis Objection | 160 | ||
Philip Larkin: The Greatest English Poet of Our Time | 162 | ||
Why the Brexiteer Loves Sherlock | 166 | ||
Mad Dogs and Englishmen (and Jeeves) | 169 | ||
The End of Jeeves | 173 | ||
Invasion by Immigration – From Calais, Mars or Wherever | 175 | ||
Dracula: Illegal Immigrant | 180 | ||
God Loves England (Does He Not?) | 185 | ||
Flashman | 191 | ||
Goldfinger | 196 | ||
The Poison Cabinet | 201 | ||
Lost Englands | 205 | ||
Virginia Woolf’s Farewell to England (and the World) | 206 | ||
The Queen and I | 211 | ||
The Children of Men | 213 | ||
London Fields | 214 | ||
England, England | 216 | ||
Take to the Boats! | 218 | ||
McEwan’s Objection | 222 | ||
Hail Hilary! | 223 | ||
The Satanic Verses: ‘Not English!’ | 227 | ||
Epilogue | 231 | ||
References | 233 | ||
Acknowledgements | 240 |