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Abstract
Is it possible to think of a counter-hegemonic, progressive nostalgia that celebrates and helps sustain the marginalised? What might such a nostalgia look like, and what political importance might it have?
Homemaking: Radical Nostalgia and the Construction of a South Asian Diaspora examines diasporic life in south Asian communities in Europe, North America and Australia, to map the ways in which members of these communities use nostalgia to construct distinctive identities.
Using a series of examples from literature, cinema, visual art, music, computer games, mainstream media, physical and virtual spaces and many other cultural objects, this book argues that it is possible, and necessary, to read this nostalgia as helping to create a powerful notion of home that can help to transcend international relations of empire and capital, and create instead a pan-national space of belonging.
This homemaking represents the persistent search for somewhere to belong on one’s own terms. Constructed through word, image and music, preserved through dreams and imagination, the home provides sustenance in the continuing struggle to change the present and the future for the better.
Anindya Raychaudhuri’s theoretic scaffolding of the argument is unique, and promises to open new avenues for reading South Asian diasporic subjects and spaces. The stunning clarity of the argument is highlighted by a contextualized reading of diaspora in a contemporary, heightened, political climate of rising populist nationalism. And, it proves the validity of making such an argument across a range of cultural spaces spanning literature to print, visual, and digital media. Arguing against a well-rehearsed trend in South Asian diaspora studies to signal loss, nostalgia, or anti imperial struggles as inherently conservative, the book proposes a radical idea of progressive presence by re-reading the spatial and experiential vectors of home and not-home. Furthermore, by interrupting the customary practice of locating the analysis outside the “I,” it turns the lens on authorial presence as subjective, and as fully capable of theorizing while experiencing the complexities of being a diasporic herself. This adds an elegant, feminist anthropological element. While focusing mainly on England and Brexit to read diaspora in the 21st century, the book offers literary analyses of diasporic novelists whose characters return fleetingly to homelands while pivoting smoothly to the nativist point of view and the clamoring of nationalists against unwelcome others in the press and on social media. To a lesser degree, the book’s analytical arc also explores Trump’s America and other European nations faced with the reality of global flows of peoples across borders and cultures. The final gesture of nuancing the randomness of immigrant lives located in the crosshairs of ephemeral and agentive, diasporic presence, is, indeed remarkable.
Gita Rajan, Professor of English, Fairfield University
Raychaudhuri’s work on South Asian diasporic nostalgia is an invaluable contribution to memory studies that deals with topics as diverse as Brexit, BBC Asian broadcasting, and diasporic literature. Moving from experiences of the everyday – like food – to historical figures, Raychaudhuri offers a sophisticated portrait of nostalgia’s radical potential to transform and challenge the idea of home.
Churnjeet Mahn, Strathclyde Chancellor's Fellow, Department of English, the University of Strathclyde
The idea of nostalgia is interrogated and offered in terms of a critical hermeneutics across actual and imagined places where fiction, cinema, foodscapes, cultural geographies and other popular cultures across Britain and South Asia interact. In doing so, a rich set of examples are offered to illuminate the diasporic condition as transformative, complex and one that we can all learn from.
Rajinder Dudrah, Professor of Cultural Studies and Creative Industries, Birmingham School of Media, Birmingham City University
Anindya Raychaudhuri is a Lecturer in English at the University of St Andrews. His research interests include postcolonial and diasporic identities and cultures, cultural representation and collective memory of war and conflict, critical theory and Marxism. In 2016, he was named one of the BBC/AHRC New Generation Thinkers.
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Contents | 9 | ||
Acknowledgements | 11 | ||
Preface | 13 | ||
Introduction | 17 | ||
Johannes Hofer, Robert Hamilton and the Origins of a Nostalgia of the Marginalized | 21 | ||
Contemporary Nostalgia and Its Discontented Scholarship | 24 | ||
Homemaking, Domophilia and Diasporic Nostalgia | 27 | ||
Chapter Outline | 33 | ||
Notes | 34 | ||
1 ‘Doubly Expatriated’ | 37 | ||
Maharajah Duleep Singh: A Life of Nostalgia and Rebellion | 38 | ||
Nostalgia and the Legacy of Duleep Singh’s Life | 51 | ||
Notes | 60 | ||
2 A Teacher, a Factory Worker, and a ‘Battered’ Housewife | 63 | ||
‘The Wrath of the Asian’: Altab Ali, Asian Dub Foundation and Claiming Tower Hamlets | 65 | ||
‘A Village in Punjab’: Blair Peach and the Rebels of Southall | 72 | ||
‘Better than No Cause at All’: Kiranjit Ahluwalia and the Nostalgic Communities of Sisterhood | 80 | ||
Notes | 87 | ||
3 Aloo-gobi, Mangoes and a Small Aubergine | 91 | ||
Jhumpa Lahiri and the Piracy of Food | 95 | ||
Nostalgia and Its Discontents – The Gendered Nature of Food Production | 102 | ||
‘The Old Secrets Your Mother’s Mothers Knew’: Nostalgia for Food and a Matrilineal Inheritance | 105 | ||
Memories of Food | 110 | ||
Notes | 115 | ||
4 ‘Straight from the Village’ | 117 | ||
Diasporic Heterotopias | 118 | ||
Home and the World: Inside/Outside | 120 | ||
‘No Place like It’: The South Asian Grocery Shop | 125 | ||
Space Invaders | 131 | ||
Food and Music – Examples of Critical Diasporic Heterotopias | 134 | ||
Notes | 142 | ||
5 Salaam, London | 145 | ||
Bollywood and Nostalgia for the Future | 148 | ||
Nostalgia beyond Borders | 150 | ||
Bollywood, Nostalgia and Diasporic Dreaming | 155 | ||
Diasporic Nostalgia, India, Pakistan and the Male Muslim Body | 156 | ||
Diasporic Nostalgia and the Self-Referentiality of Bollywood | 164 | ||
Notes | 166 | ||
6 Making Yourself at Home | 169 | ||
Nostalgia and the History of BBC Asian Broadcasting | 171 | ||
Going ‘Old Skool’: Nostalgia and the BBC Asian Network | 181 | ||
Nostalgia and Diasporic Asian Broadcasting: Psychoraag and Salaam Namaste | 186 | ||
Notes | 191 | ||
Conclusion | 195 | ||
‘The Return of the Prodigal’: Nostalgic Returnings in Anil’s Ghost and The Hungry Tide | 199 | ||
A Radical Hermeneutics of Nostalgia | 203 | ||
Notes | 207 | ||
Bibliography | 209 | ||
Index | 215 |