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Screened Encounters

Screened Encounters

Caroline Moine

(2018)

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Abstract

Established in 1955, the Leipzig International Documentary Film Festival became a central arena for staging the cultural politics of the German Democratic Republic, both domestically and in relation to West Germany and the rest of the world. Screened Encounters represents the definitive history of this key event, recounting the political and artistic exchanges it enabled from its founding until German unification, and tracing the outsize influence it exerted on international cultural relations during the Cold War.


Caroline Moine is Assistant Professor of Contemporary History at the University of Versailles Saint-Quentin-en-Yvelines. Her research on the cultural history of the Cold War has been widely published in French, German, and English.

Table of Contents

Section Title Page Action Price
Screened Encounters iii
Copyright Page iv
Contents v
Illustrations and Figures vii
Preface ix
Acknowledgments xix
Introduction 1
Part I. A Cold War Festival 15
Chapter 1. The Genesis of the Leipzig Film Festival 17
Chapter 2. Opening to the World 43
Chapter 3. Between Propaganda and Cinéma Vérité 71
Part II. Between Provincialism and International Dialogue (1964–1973) 99
Chapter 4. When the Tide Turns . . . 101
Chapter 5. Toward Documentaries with a Human Face 130
Chapter 6. Documentaries in the Service of International Solidarity 157
Part III. A Trompe L’Oeil Mise-en-Scène? (1973–1983) 187
Chapter 7. Wide Angle on Socialist Society 189
Chapter 8. Don’t Wait for Better Times 219
Part IV. Toward New Horizons (1984–1990) 245
Chapter 9. An Opening in the East? 247
Chapter 10. Revolution on the Screen, on the Street 279
Conclusion 307
Appendix I. Archival Sources 318
Appendix II. List of Interviews 320
Appendix III. Leipzig Festival Retrospectives 322
Appendix IV. Leipzig Festival Statistics 325
Glossary of Acronyms and Organizations 327
Bibliography 330
Index 358
Film Index 368