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Dance, Disability and Law

Dance, Disability and Law

Sarah Whatley | Charlotte Waelde | Shawn Harmon

(2018)

Abstract

This edited collection is the first book to that focus on the intersection between dance, disability and law. Bringing together a range of writers from different disciplines, this volume considers the question of how we value, validate and speak about diversity in performance practice with a specific focus on the experience of differently-abled dance artists within the changing world of the arts in the UK. Dance, Disability and Law addresses the legal frameworks that support or otherwise the work of disabled dancers (including IPR, human rights and medical law) and explore factors that impact on their full participation, including those related to policy, arts funding, dance criticism and audience reception. By bringing together leading voices, this book makes an important contribution to several fields, and in particular the disciplines of dance, law, philosophical aesthetics, disability studies and spectatorship in performance.

Table of Contents

Section Title Page Action Price
Cover Cover
Half Title i
Title iii
Copyright iv
Contents v
Preface ix
Introduction 1
Section I: Disability, Dance and Critical Frameworks 11
Chapter 1: Disabled Dance: Barriers to Proper Inclusion within Our Cultural Milieu 13
Chapter 2: Cultural Heritage and the Unseen Community 47
Chapter 3: An Analysis of Reporting and Monitoring in Relation to the United Nations Convention on the Rights of Persons with Disabilities, the Right to Participation in Cultural Life and Intellectual Property 61
Chapter 4: A Dance of Difference: The Tripartite Model of Disability and the Cultural Heritage of Dance 83
Chapter 5: In a Different Light? Broadening the Bioethics Perspective through Dance 99
Interruption 1: 11 November 2015: Dance, Medicine and Marginalisation: The Limits of Law and a Shift to Values 113
Interruption 2: 27 October 2014: Language 119
Interruption 3: 21 November 2013: Difference? : The InVisible Difference Team 123
Section II: Disability, Dance and the Demands of a New Aesthetic 127
Chapter 6: A Wondering (in Three Parts) 129
Chapter 7: A New Foundation: Physical Integrity, Disabled Dance and Cultural Heritage 137
Chapter 8: Disability and Dance: The Disabled Sublime or Joyful Encounters? 161
Chapter 9: Moving Towards a New Aesthetic: Dance and Disability 177
Chapter 10: What We Can Do with Choreography, and What Choreography Can Do with Us 195
Chapter 11: Dancing Identity: The Journey from Freak to Hero and Beyond 213
Chapter 12: Dance Disability and Aesthetics: A Changing Discourse 233
Interruption 4: 1 April 2014: Difference 255
Interruption 5: 29 July 2015: Disability Dance and Philosophy: Liminal Spaces 259
Interruption 6: 14 September 2015: A Wider Significance for a Philosophy of Disabled Dance? 265
Section III: Disability, Dance and Audience Engagement 269
Chapter 13: The (Disabled) Artist Is Present 271
Chapter 14: Disability, Disabled Dance Audiences and the Dilemma of Neuroaesthetic Approaches to Perception and Interpretation 293
Chapter 15: Finding It When You Get There 317
Interruption 7: 6 October 2015: Understanding and Appreciation 333
Interruption 8: 10 June 2015: Mainstream and Marginal: Have We Progressed in the Last Decade Plus? 337
Interruption 9: 29 June 2015: Mainstream or Marginal? Still on the Edge… Disabled Dance? 341
Policy Brief for Venues: Providing Space. Obligations and Approaches to Dancers with Different Bodies 345
Position Brief for Dancers. Policy Brief: Asserting Copyright 351
Policy Brief: For Dancers 357
Interruption 10: 27 March 2017: The Need for a Wide Approach 365
Interruption 11: 1 March 2017: Golden Age? 369
Interruption 12: 14 March 2017: Disabled Dancers: Agents of Change? 373
Annex 1: Blog Postings 377
Annex 2: Policy Briefs 381
Notes on Contributors 383
Index 391
Back Cover Back Cover