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Book Details
Abstract
On July 27th, 2015, Colin Cremin overcame a lifetime of fear and repression and came to work dressed as a woman called Ciara. This book charts her personal journey as a male-to-female cross-dresser in the ever-changing world of gender politics.
Interweaving the personal and the political, through discussions of fetishism, aesthetics and popular culture, Man-Made Woman explores gender, identity and pleasure through the lenses of feminism, Marxism and psychoanalytic theory. Cremin's anti-moralistic approach dismantles the abjection associated with male-to-female cross dressing, examining the causes of its repression, and considers what it means to publicly materialise desire on her body. Emancipatory and empowering: Cremin interrogates her, his and our relationship to the gender binary.
Man-Made Woman is an experiment in thought and practice through which both author and reader are drawn ultimately into a conflict with our material, ideological and libidinal relationship to patriarchal-capitalism.
'Laced with some occasional edginess, it is a wonderful book, erudite, politically astute, brilliantly written, and at times wickedly funny. It's my favourite I've read for quite some time'
Jeff Hearn, Hanken School of Economics, Finland; University of Huddersfield, UK; author of Men of the World
'Cremin explores the relationship between theory and life with intelligence and wit'
Juliet Jacques, author of Trans: A Memoir (Verso, 2016)
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Cover | Cover | ||
Contents | v | ||
Acknowledgements | vi | ||
1. What's in a Dress? | 1 | ||
2. On the Lavatory Question | 23 | ||
3. The Aesthetics of Cross-Dressing | 53 | ||
4. Everyone's a Fetishist | 83 | ||
5. How Popular Culture Made Me (a Woman) | 123 | ||
6. Full Exposure | 179 | ||
Notes | 194 | ||
Bibliography | 198 | ||
Index | 205 |