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Abstract
Focusing on particular historical blind spots by telling stories of individuals and groups that did not fit the favoured identity mould, the essays in 'Migrant Nation' work within the gap between Australian image and experience and offer fresh insights into the ‘other’ side of identity construction. The volume casts light on the hidden face of Australian identity and remembers the experiences of a wide variety of people who have generally been excluded, neglected or simply forgotten in the long-running quest to tell a unified story of Australian culture and identity. Drawing upon memories, letters, interviews and documentary fragments, as well as rich archives, the authors have in common a commitment to give life to neglected histories and thus to include, in an expanding and open-ended national narrative, people who were cast as strangers in the place that was their home.
The essays in ‘Migrant Nation: Australian Culture, Society and Identity’ work within the gap between Australian image and experience, focusing on particular historical blind spots by telling stories of individuals and groups that did not fit the favoured identity mould and can therefore offer fresh insights into the other side of identity construction. In this way this collection casts light onto the hidden face Australian identity and pays respect to the experiences of a wide variety of people who have generally been excluded, neglected or simply forgotten in the long-running quest to tell a unified story of Australian culture and identity, a story that is rapidly unravelling.
Whether in terms of language, history, culture or personal circumstances, many of the subjects of these essays were foreign to the settler dream. The stories reveal their efforts to establish a sense of legitimacy and belonging outside of the dominant Australian story. Drawing upon memories, letters, interviews, documentary fragments and archives, the authors have in common a commitment to give life to neglected histories and thus to include, in an expanding and open-ended national narrative, people who were cast as strangers in the place that was their home.
‘Sweeping from Aboriginal-settler clashes to current controversies over refugees, Migrant Nation […] reveals how national identity has never been about One Australia, but always about how its peoples have dealt with One Another.’
—Craig Howes, Director, Center for Biographical Research, University of Hawaiʻi at Mānoa, USA
Paul Longley Arthur is Director of the Centre for Global Issues, and Chair in Digital Humanities and Social Sciences at Edith Cowan University, Australia. He has published widely in cultural and communication studies, biography, history and literature.
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Cover | Cover 1 | ||
Front Matter | ii | ||
Half title | i | ||
Series information | ii | ||
Title page | iii | ||
Copyright information | iv | ||
Table of contents | v | ||
List of figures | vii | ||
Chapter 1-12 | 1 | ||
Chapter 1 Introduction: Transcultural Studies in Australian Identity | 1 | ||
Notes | 16 | ||
Works Cited | 18 | ||
Chapter 2 Remembering Aboriginal Sydney | 21 | ||
Arranging for Posterity | 21 | ||
Keep Your Land to Keep Your Connections | 23 | ||
Memories and the Printed Word | 27 | ||
Notes | 33 | ||
Works Cited | 35 | ||
Chapter 3 Files and Aboriginal Lives: Biographies from an Archive | 37 | ||
Notes | 52 | ||
Works Cited | 53 | ||
Government Reports | 55 | ||
Archive Records | 55 | ||
Newspapers | 55 | ||
Interviews | 55 | ||
Films | 55 | ||
Chapter 4 Writing, Femininity and Colonialism: Judith Wright, Hélène Cixous and Marie Cardinal | 57 | ||
Note | 67 | ||
Works Cited | 67 | ||
Chapter 5 The Staging of Social Policy: The Photographing of Post-War British Child Migrants | 69 | ||
Nobody’s Children in Australia: The Barnardos Family Album | 70 | ||
Cliff Remmer: A NARDY ‘Old Boy’ Remembers | 75 | ||
Conclusion | 89 | ||
Note | 90 | ||
Works Cited | 90 | ||
Chapter 6 Writing Home from China: Charles Allen’s Transnational Childhood | 91 | ||
Notes | 111 | ||
Works Cited | 114 | ||
Chapter 7 Australian? Autobiography? Citizenship, Postnational Self-Identity and the Politics of Belonging | 119 | ||
Citizenship and Self-Identity | 121 | ||
Colour and Self-Identity | 124 | ||
Sexuality and Self-Identity | 129 | ||
Conclusion | 132 | ||
Works Cited | 135 | ||
Chapter 8 A Nikkei Australian Story: Legacy of the Pacific War | 137 | ||
Joe’s Parents | 138 | ||
Joe’s Childhood | 138 | ||
JD18102: Joe in Internment | 141 | ||
Post-War Years | 143 | ||
Kisaburo Murakami: Joe in Japan | 145 | ||
Conclusion: Identity, Belonging and Citizenship | 147 | ||
Notes | 149 | ||
Works Cited | 149 | ||
Chapter 9 Displaced Persons (1947–52) in Australia: Memory in Autobiography | 151 | ||
Notes | 171 | ||
Works Cited | 172 | ||
Chapter 10 Between Utopia and Autobiography: Migrant Narratives in Australia | 177 | ||
Writing Migrant Lives | 181 | ||
Utopia as Desire in the Narratives of Success | 183 | ||
Utopia as Critical Realization in the Narratives of Displacement | 186 | ||
Conclusion | 192 | ||
Notes | 194 | ||
Works Cited | 195 | ||
Chapter 11 Vietnamese–Australian Life Writing and Integration: The Magazine for Multicultural and Vietnamese Issues | 201 | ||
Notes | 210 | ||
Works Cited | 210 | ||
Chapter 12 Heroes, Legends and Divas: Framing Famous Lives in Australia | 213 | ||
Selecting the Notable? The Rise of Modern Celebrity | 215 | ||
Defining the Nation? Britishness and Australian Identity | 218 | ||
Representing Diversity? Demographics and Inclusivity | 222 | ||
Changing Representations: Daisy Bates | 226 | ||
Conclusion | 228 | ||
Notes | 229 | ||
Works Cited | 231 | ||
End Matter | 237 | ||
Contributors | 235 | ||
Index | 237 |