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Manifestos for World Thought

Manifestos for World Thought

Lucian Stone | Jason Bahbak Mohaghegh

(2017)

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Abstract

What are the still-unknown horizons of world thought?

This book brings together prominent scholars from varying disciplines to speculate on this obscure question and the many crossroads that face intellectuals in our contemporary era and its aftermath. The result is a collection of “manifestos” that contemplate a potential global future for thinking itself, venturing across some of the most marginalized sectors of East and West (with particular emphasis on the Middle Eastern and Islamicate) in order to dissect crucial issues of culture, society, philosophy, literature, art, religion, and politics. The book explores themes such as as universality, translation, modernity, language, history, identity, resistance, ecology, catastrophe, memory, and the body, offering a groundbreaking alignment of texts and ideas with far-reaching implications for our time and beyond.
A set of elegant manifestos on some of the most pressing issues of our time, each adopting a position unmoored from conventional schools, genealogies and traditions of thought, so as to bring the world itself to light in all its heterogeneous reality.
Faisal Devji, Reader in Modern South Asian History, University of Oxford
Lucian Stone is Associate Professor of Philosophy and Religion at the University of North Dakota. He is co-author of Simone Weil and Theology (2013). In addition he has edited several volumes including: Iranian Identity and Cosmopolitanism: Spheres of Belonging (2014); Dead Man’s Shadow: Collected Poems of Leonardo P. Alishan (2011); The Relevance of the Radical: Simone Weil 100 Years Later (2010); and The Philosophy of Seyyed Hossein Nasr, Library of Living Philosophers, Volume XXVIII (2001). He is editor of the journal SCTIW Review.

Jason Bahbak Mohaghegh is Associate Professor of Comparative Literature at Babson College. He is the author or editor of The Chaotic Imagination: New Literature and Philosophy of the Middle East (2010), Inflictions: The Writing of Violence in the Middle East (2012), The Radical Unspoken: Silence in Middle Eastern and Western Thought (2013), and Insurgent, Poet, Mystic, Sectarian: The Four Masks of an Eastern Postmodernism (2015).

Contributors: Arshin Adib-Moghaddam, Professor in Global Thought and Comparative Philosophies, SOAS, University of London and Chair of the Centre for Iranian Studies, London Middle East Institute, UK; Banu Bargu, Associate Professor of Politics, New School for Social Research, USA; Réda Bensmaïa, Professor Emeritus, Formerly University Professor of French and Francophone Literature, Brown University, USA; Huda Fakhreddine, Assistant Professor of Arabic Literature, University of Pennsylvania, USA; Wael Hallaq Avalon Foundation Professor in the Humanities, Columbia University, USA; Rosalind Hampton, doctoral candidate in Educational Studies, McGill University, Canada; Michelle Hartman, Associate Professor of Arabic Literature, McGill University, Canada; Aslı Igsiz, Assistant Professor of Middle Eastern and Islamic Studies, New York University, USA; Nanor Kebranian, Assistant Professor of Middle Eastern, South Asian, and African Studies, Columbia University, USA; Setrag Manoukian, Associate Professor of Anthropology and Islamic Studies, McGill University, Canada; Ruth Mas, Visiting Scholar, Centre for Cultural, Literary and Postcolonial Studies (CCLPS), SOAS, University of London, UK; Andrea Mura, Lecturer, Institute of Arab and Islamic Studies, University of Exeter, UK; Mahmut Mutman, Lecturer, Department of Cinema and Television, Istanbul Şehir University, Turkey; S. Sayyid, Reader in Rhetoric, University of Leeds, UK; Brian Seitz, Professor of Philosophy, Babson College, USA; Stephen Sheehi, Sultan Qaboos bin Said Chair of Middle East Studies, College of William and Mary, USA; Anthony Paul Smith, Assistant Professor of Religion, LaSalle University, USA; Jens Veneman, sculptor, Brooklyn, USA and Menden, Germany; Eyal Weizman, Professor of Visual Cultures and director of the Centre for Research Architecture, Goldsmiths, University of London, UK; Jason Wirth, Professor of Philosophy, Seattle University, USA; Meyda Yeğenoğlu, Professor of Cultural Studies and Sociology, Istanbul Bilgi University, Turkey



Table of Contents

Section Title Page Action Price
Cover Cover
Manifestos for World Thought i
Manifestos for World Thought iii
Contents v
Introduction vii
I. Distance vii
Ii. Shipwreck viii
Iii. Radical Unreality ix
Iv. Boundlessness xi
Part I 1
THEORY: PHILOSOPHY AND METHOD 1
Chapter 1 3
Orient, Orientation, and the Western Referent 3
Westless Europe And Minor Grammars 9
Towards A Minor Europe: Baruch Spinoza And The Disclosure Of World Thought 14
Notes 19
Chapter 2 23
Outside Philosophy 23
I 25
Ii 29
Notes 32
Chapter 3 35
Global Thought 35
God And Critique 36
Artistic Embraces Of Self And Other 41
Notes 44
Chapter 4 47
Colossomania 47
1. 48
2. 49
3. 51
4. 52
5. 54
6. 55
7. 57
8. 59
9. 60
10. 61
Notes 63
Part II 65
STATE: CITIZENSHIP, IDENTITY, AND POLITICAL TRAUMA 65
Chapter 5 67
If Fanon Knew 67
Conclusion 76
Notes 79
Chapter 6 83
Dispersing Community 83
By Any Other Name 83
Rooting Community, A Lonely God 84
The Question Of We, Ethical Strangers 87
Dispersing Community 93
Notes 94
Chapter 7 99
No State to Come 99
The Matter Of Violence 100
The Story Itself 103
Gratitude, Secret, Key 104
Powers Of Literature 107
Unavowable Sovereignty 110
Notes 111
Chapter 8 115
Toward Language and Resistance 115
Beginning In The Break . . . 115
Manif Chaque Soir 115
Language, Resistance, And The Break 116
Language In The Break 119
Broken Language And Breakdowns 120
“there Is No Poetry In This”: When Life Breaks 122
Breaking Ground, Breaking Language, Breaking Poems 123
Break It Down 124
Reclaiming The Power Of Our Language/s 126
Notes 127
Part III 129
TEXT AND AESTHETICS: LITERATURE, POETRY, AND ART 129
Chapter 9 131
Manifesto 131
The 10-Point 131
I. 132
Ii. 133
Iii. 134
Iv. 134
V. 135
Vi. 137
Vii. 138
Viii. 138
Ix. 140
X. 140
Decolonizing Nahdah 141
Notes 143
Chapter 10 147
The Aesthetic Imperative 147
Notes 153
Chapter 11 155
A Vocabulary for the Impersonal 155
Notes 167
Chapter 12 171
Architextualism 171
Prolegomenon To A Chapter That Does Not Appear In This Book 171
* * * 173
Notes 174
Part IV 177
EMBODIMENT: ARCHITECTURE, OBJECTS, AND TIME 177
Chapter 13 179
Architecture of Modulation 179
1. Speed 179
2. Movement 181
3. Solidity, Aeriality 182
4. Materiality And The Border 183
5. Vertical-horizontal Axes 184
6. Visual Differentials 185
7. Human And Object 186
8. Memory 188
9. Architecture 188
Notes 189
Chapter 14 191
One Foot in Front of the Other 191
Notes 197
Chapter 15 199
Seventeen Theses on History 199
Thesis One 199
Thesis Two 199
Thesis Three 200
Thesis Four 200
Thesis Five 201
Thesis Six 201
Thesis Seven 202
Thesis Eight 202
Thesis Nine 203
Thesis Ten 204
Thesis Eleven 204
Thesis Twelve 205
Thesis Thirteen 205
Thesis Fourteen 205
Thesis Fifteen 206
Thesis Sixteen 207
Thesis Seventeen 208
Chapter 16 209
The Time of Critique 209
Notes 224
Bibliography 229
Index 245
About the Contributors 249