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Metaphors of Invention and Dissension

Metaphors of Invention and Dissension

Rajeshwari S. Vallury

(2017)

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Abstract

Metaphors of Invention and Dissension explores the relationship between aesthetics and politics in the postcolonial Algerian novel, examining six novels written by two Algerian authors of French expression, Tahar Djaout and Rachid Mimouni. Rajeshwari S. Vallury argues that postcolonial literature demonstrates a conscious, rational, and deliberate engagement with the question of democracy. The author shows how the metaphors of literature invent an arena or platform for the enactment of democratic dissension.

Postcolonial texts stage contentious debates about the principles that can and must sustain a life of the common. The capacity of the poetic word to regenerate and recreate forms of thinking, being, saying, and doing lies at the heart of the political power of literature. In the case of Algeria, the dual forces of military rule and radical Islamism have not succeeded in stifling the revolutionary will of the people, which continues to find self-expression in the idea of the nation, the concept of universal human rights, the notion of civility, and the philosophical traditions of pluralism and toleration within Islam. This book argues that postcolonial literature attests to the dissonance of democracy by staging the nation as the space of a universal equality and civility.
Vallury offers an engaging study of works by authors Rachid Mimouni and Tahar Djaout. She effectively demonstrates that these writers of French expression use allegory and metaphor to recast the Algerian nation as a utopic space that allows for democratic dissension and political subversion. She defines literary metaphors as sources of poetic valence that enable debates in political justice and equality. These debates continue to be relevant in the contentious sociopolitical arenas of present-day Algeria.
Valerie Orlando, Professor, French and Francophone Literatures and Cultures, University of Maryland
Rajeshwari S. Vallury is Professor of French at the University of New Mexico. She is the author of ‘Surfacing’ the Politics of Desire: Literature, Feminism, and Myth (2008), and the editor of Filiations: Theory, Aesthetics, and Politics in the Francophone World (forthcoming).

Table of Contents

Section Title Page Action Price
Metaphors of Invention and Dissension Cover
Contents vii
Acknowledgments xi
Introduction: Dissonant Algeria 1
Postcolonial Literature and Democracy? 5
Islam, Democracy, and Human Rights 6
Of Darkness and Light in Algeria 9
What and Where Is a People? 16
The Democracy of Literature 19
Part I: Thinking Politics and Aesthetics 27
1 Democracy, Citizenship, and Postcolonial Politics 29
Postcolonial Histories and Politics 30
Why Rancière and Balibar? 36
Who and Where Is the Subject of Politics? 38
Why Democracy? 40
Rethinking a Politics of Equality and Emancipation 46
Citizenship, or a Democratic Politics of Civility 48
Politics, Democracy, and Equality 52
Democratic Citizenship and the Question of Rights 56
Which Political Community, the Nation or the World? 58
What Is a Nation? 62
2 Metaphor, or, the Folding Thread between Aesthetics and Politics 71
The Incalculable Rupture between Aesthetics and Politics 71
On Fiction and Politics 76
Metaphor and the Rationality of Disagreement 81
Metaphor: Sense and/or Sense? 84
Kant, Metaphor, and the Aesthetic Idea 90
By Way of a Conclusion 93
3 The Potentiality of the Utopic Imaginary in Postcolonial Fiction 101
Postcolonial Utopias? 102
Foucault and a Thought of the Present 105
Fiction, Possibility, and Impossibility 107
The Possibilities of Foucault’s Heterotopias 109
The Political Power of Utopia 111
Utopic Mode or Utopic Genre? 116
Possibility, Potentiality, and Actuality 119
Part II: Reading Aesthetics and Politics 131
4 Walking the Tightrope between Memory and History: Metaphor in Tahar Djaout’s L’invention du désert 133
On National Allegory 137
Inventing the Desert 139
Inventing the Nation 141
The Experimentation of the Nation 143
The Politics of the Nation 153
5 The Dreams of the Just: Allegorizing the Community of Brotherhood in Tahar Djaout’s Les vigiles and Le dernier été de la raison 163
Les vigiles 164
Reinventing the Nation 168
Reconstructing the Body Politic 173
Le dernier été de la raison 177
Dystopian Aesthetics 179
Aesthetic Dissension 185
The Logic of Sense 187
6 Paradises Lost But Not Regained: The Politics of Utopia and Dystopia in Rachid Mimouni’s Le fleuve détourné and La malédiction 193
The Sensible Education of Le fleuve détourné 195
Utopias and Dystopias in Le fleuve détourné 198
A Dystopian Fable? 202
Fables of Dystopia 205
In the Beginning Was the Word 213
Paradise Reframed: La malédiction 215
Si Morice and the Impasse of Revolutionary Violence 218
Utopian Extravaganza in La malédiction 221
Of Dissidence and Democracy in La malédiction 225
The Politics of Utopia 227
7 The Novel Secularism of Rachid Mimouni’s L’honneur de la tribu 233
Secularism and Education: The Case of Algeria 235
Secularity, Secularism, and Ideology 238
The Secular Education of L’honneur de la tribu 242
In Guise of a Conclusion 248
Conclusion: “For God’s Sake, Open the Universal a Little More!” 251
Revolution, Humanism, and Terror 252
Universal Civility 255
Select Bibliography 259
Index 265
About the Author 269