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Abstract
Metaphors of Invention and Dissension explores the relationship between aesthetics and politics in the postcolonial Algerian novel, examining six novels written by two Algerian authors of French expression, Tahar Djaout and Rachid Mimouni. Rajeshwari S. Vallury argues that postcolonial literature demonstrates a conscious, rational, and deliberate engagement with the question of democracy. The author shows how the metaphors of literature invent an arena or platform for the enactment of democratic dissension.
Postcolonial texts stage contentious debates about the principles that can and must sustain a life of the common. The capacity of the poetic word to regenerate and recreate forms of thinking, being, saying, and doing lies at the heart of the political power of literature. In the case of Algeria, the dual forces of military rule and radical Islamism have not succeeded in stifling the revolutionary will of the people, which continues to find self-expression in the idea of the nation, the concept of universal human rights, the notion of civility, and the philosophical traditions of pluralism and toleration within Islam. This book argues that postcolonial literature attests to the dissonance of democracy by staging the nation as the space of a universal equality and civility.
Vallury offers an engaging study of works by authors Rachid Mimouni and Tahar Djaout. She effectively demonstrates that these writers of French expression use allegory and metaphor to recast the Algerian nation as a utopic space that allows for democratic dissension and political subversion. She defines literary metaphors as sources of poetic valence that enable debates in political justice and equality. These debates continue to be relevant in the contentious sociopolitical arenas of present-day Algeria.
Valerie Orlando, Professor, French and Francophone Literatures and Cultures, University of Maryland
Rajeshwari S. Vallury is Professor of French at the University of New Mexico. She is the author of ‘Surfacing’ the Politics of Desire: Literature, Feminism, and Myth (2008), and the editor of Filiations: Theory, Aesthetics, and Politics in the Francophone World (forthcoming).
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Metaphors of Invention and Dissension | Cover | ||
Contents | vii | ||
Acknowledgments | xi | ||
Introduction: Dissonant Algeria | 1 | ||
Postcolonial Literature and Democracy? | 5 | ||
Islam, Democracy, and Human Rights | 6 | ||
Of Darkness and Light in Algeria | 9 | ||
What and Where Is a People? | 16 | ||
The Democracy of Literature | 19 | ||
Part I: Thinking Politics and Aesthetics | 27 | ||
1 Democracy, Citizenship, and Postcolonial Politics | 29 | ||
Postcolonial Histories and Politics | 30 | ||
Why Rancière and Balibar? | 36 | ||
Who and Where Is the Subject of Politics? | 38 | ||
Why Democracy? | 40 | ||
Rethinking a Politics of Equality and Emancipation | 46 | ||
Citizenship, or a Democratic Politics of Civility | 48 | ||
Politics, Democracy, and Equality | 52 | ||
Democratic Citizenship and the Question of Rights | 56 | ||
Which Political Community, the Nation or the World? | 58 | ||
What Is a Nation? | 62 | ||
2 Metaphor, or, the Folding Thread between Aesthetics and Politics | 71 | ||
The Incalculable Rupture between Aesthetics and Politics | 71 | ||
On Fiction and Politics | 76 | ||
Metaphor and the Rationality of Disagreement | 81 | ||
Metaphor: Sense and/or Sense? | 84 | ||
Kant, Metaphor, and the Aesthetic Idea | 90 | ||
By Way of a Conclusion | 93 | ||
3 The Potentiality of the Utopic Imaginary in Postcolonial Fiction | 101 | ||
Postcolonial Utopias? | 102 | ||
Foucault and a Thought of the Present | 105 | ||
Fiction, Possibility, and Impossibility | 107 | ||
The Possibilities of Foucault’s Heterotopias | 109 | ||
The Political Power of Utopia | 111 | ||
Utopic Mode or Utopic Genre? | 116 | ||
Possibility, Potentiality, and Actuality | 119 | ||
Part II: Reading Aesthetics and Politics | 131 | ||
4 Walking the Tightrope between Memory and History: Metaphor in Tahar Djaout’s L’invention du désert | 133 | ||
On National Allegory | 137 | ||
Inventing the Desert | 139 | ||
Inventing the Nation | 141 | ||
The Experimentation of the Nation | 143 | ||
The Politics of the Nation | 153 | ||
5 The Dreams of the Just: Allegorizing the Community of Brotherhood in Tahar Djaout’s Les vigiles and Le dernier été de la raison | 163 | ||
Les vigiles | 164 | ||
Reinventing the Nation | 168 | ||
Reconstructing the Body Politic | 173 | ||
Le dernier été de la raison | 177 | ||
Dystopian Aesthetics | 179 | ||
Aesthetic Dissension | 185 | ||
The Logic of Sense | 187 | ||
6 Paradises Lost But Not Regained: The Politics of Utopia and Dystopia in Rachid Mimouni’s Le fleuve détourné and La malédiction | 193 | ||
The Sensible Education of Le fleuve détourné | 195 | ||
Utopias and Dystopias in Le fleuve détourné | 198 | ||
A Dystopian Fable? | 202 | ||
Fables of Dystopia | 205 | ||
In the Beginning Was the Word | 213 | ||
Paradise Reframed: La malédiction | 215 | ||
Si Morice and the Impasse of Revolutionary Violence | 218 | ||
Utopian Extravaganza in La malédiction | 221 | ||
Of Dissidence and Democracy in La malédiction | 225 | ||
The Politics of Utopia | 227 | ||
7 The Novel Secularism of Rachid Mimouni’s L’honneur de la tribu | 233 | ||
Secularism and Education: The Case of Algeria | 235 | ||
Secularity, Secularism, and Ideology | 238 | ||
The Secular Education of L’honneur de la tribu | 242 | ||
In Guise of a Conclusion | 248 | ||
Conclusion: “For God’s Sake, Open the Universal a Little More!” | 251 | ||
Revolution, Humanism, and Terror | 252 | ||
Universal Civility | 255 | ||
Select Bibliography | 259 | ||
Index | 265 | ||
About the Author | 269 |