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Cosmic Shift

Cosmic Shift

Bart de Baere | Ilya Kabakov | Emilia Kabakov | Boris Groys | Pavel Pepperstein | Dmitri Prigov | Anton Vidokle | Andrey Monastyrsky | Arseny Zhilyaev | Elena Zaytseva | Alex Anikina

(2017)

Additional Information

Abstract

A TLS Book of the Year 2017
In this, the first anthology of Russian contemporary art writing to be published outside Russia, many of the country’s most prominent contemporary artists, writers, philosophers, curators and historians come together to examine the region’s contemporary art, culture and and theory.

With contributions from Ilya and Emilia Kabakov, Boris Groys, Dmitri Prigov, Anton Vidokle, Keti Chukhrov, Oxana Timofeeva, Pavel Pepperstein, Arseny Zhilyaev and Masha Sumnina amongst many others, this definitive collection reveals a compelling portrait of a vibrant and complex culture: one built on a contradicting dialectic between the material and the ideal, and battling its own histories and ideologies.


‘Fascinating ... packed with original essays, projects and even conceptual fiction.’
TLS Book of the Year 2017

With contributions from an impressive list of artists, curators, theorists and historians, this book offers an incredible insight into not only contemporary writing on Russian art but writing as art in Russia.’
Adrian George, previously curator at Tate, and author of The Curator’s Handbook

‘Theory and practice are brought together with clarity and conviction in this powerful selection of aesthetic statements.’
John Bowlt, Director, Institute of Modern Russian Culture

‘Zaytseva and Anikina’s comprehensive anthology illuminates the constellation of Russian art across realism and fantasy, Communism and Cosmism, orthodoxy and perpetual revolution.’
Gilda Williams, author of How to Write about Contemporary Art

‘Cosmism is the lure, when a revived mysticism is the order of the day. But this collection is more energetically eclectic than that. It provides a window into three generations of artists and critics – Soviet, Post-Soviet, and today.'
Peter Osborne, author of Anywhere or Not at All: Philosophy of Contemporary Art

‘Fascinating! More proof of the continued vibrancy of Russian art: modern, postmodern or cosmic, despite the fringe ideas increasingly becoming mainstream.’
Alena Ledeneva, Director, UCL FRINGE Centre

‘Long overdue, this anthology is the first to reveal the idiosyncratic and singular perspectives of leading contemporary artists from Russia. Together, the texts offer a portrait of creative resistance from what Bart de Baere calls “the virtually invisible center of the world”.’
Kate Fowle, Chief Curator, Garage Museum of Contemporary Art, Moscow

‘A fascinating collection of essays, full of stimulating paradoxes, which perfectly reflects the intensity of debate on the contemporary Russian art scene, as precarious in everyday life as it is majestic in its cosmic dreams.’
Ekaterina Degot, Alexander Rodchenko School of Photography and New Media, Moscow

‘An excellent initiative to shed light in the English speaking world on Russian writing about and by contemporary artists. It will help give them a broader audience and spark important cross-cultural debate.’
Andrew Jack, journalist for the Financial Times


Ilya and Emilia Kabakov, Russian-born, US-based conceptual artists known for their pioneering large-scale environments and installations. Andrey Monastyrsky, who along with Illya Kabakov, pioneered the Moscow Conceptualism movement. Boris Groys, art critic, media theorist, and philosopher. Bart De Baere, Director of the Museum of Contemporary Art in Antwerp. Pavel Pepperstein, prominent author, painter and film maker. Dmitri Prigov, famous dissident writer and artist who died in 2007. Anton Vidokle, founder of e-flux. Arseny Zhilyaev, artist and author.

Table of Contents

Section Title Page Action Price
Cover Cover
Half Title i
Title Page\r iii
Contents v
Foreword – Bart De Baere ix
Acknowledgments – Elena Zaytseva and Alex Anikina xv
Introduction 1
Part One: Past Futures 19
1: Keti Chukhrov: The Nomadic Theater of the Communist: A Manifesto\r 25
2: Ilya and Emilia: Kabakovthe Center of Cosmic Energy \r 33
I the Principle and Main Structure of the “Center of Cosmic Energy”\r 33
II Four Intuitions\r 37
3: Boris Groys: The Truth of Art\r 53
4: Andrey Monastyrsky: VDNKh, the Capital of the World: A Schizoanalysis\r 69
5: Anton Vidokle: The Communist Revolution was caused by the Sun: A Partial Script for a Short Film 91
A Field of Wind Turbines 91
Desert, a Mountain of Sand 93
A Dressing Room of a Nightclub 94
A Village Cemetery Near Almata 94
Fields on the Outskirts of an Industrial City 96
A Factory Workshop 97
Aerial View of a Vast Cemetery 98
A Two-Lane Road after Dark 101
Note 103
Part Two: Inherited Aesthetics\r 105
6: Joseph Backstein: History of Angels\r 111
A Tour of the Philosophy of Angels 112
On Succession in Art 114
So What Is the Essence of Moscow Conceptualism and Why Should So Much Attention Be Paid to It?\r 117
On the Correlation of the Visual and the Verbal in Russian Art 120
On the Notion of the Borderline in Art 123
References 125
7: Dmitry Gutov and Anatoly Osmolovsky: Concerning Abstractionism\r 127
Letter 1 128
Letter 2 130
Letter 3 132
Letter 7\r 136
Letter 12 141
Letter 14 (Extract) 146
Letter 17\r 148
Note\r 155
8: Olga Chernysheva: Screens\r 157
9: Dmitry Prigov: Two Manifestos\r 171
Where Are Our Hands, in Which Our Future Lies? 171
The Second Sacro-Cularization 179
10: Maria Chehonadskih: The Form of Art as Mediation: A History and Storytelling before and After Moscow Conceptualism\r 191
In Place of an Introduction: A ≠ A, or Dialectical Doubt\r 191
Benjamin’s “Storyteller” and the Land of Soviets 194
The Storyteller after the Storyteller: The Experience of Soviet Conceptualism 198
Notes 205
11: Artemy Magun: Soviet Communism and the Paradox of Alienation\r 209
Communism as Idea 211
“Communism” of the Past and Communism of the Future 215
Desert Communism 219
Negativity in Communism 226
Notes 228
12: Alexander Brener: The Russian Avant-Garde as an Uncontrollable Beast 231
Part Three: From the Archive\r 241
13: Vadim Zakharov: Author, Cosmos, Archive 247
Additional Terms Used by Vadim Zakharov from The Dictionary of Terms of the Moscow Conceptual School\r 255
Notes 257
14: Bogdan Mamonov: A Binary System\r 259
15: Maria Kapajeva: You Can Call Him another Man (2015–2017) 267
Note 280
16: Andrey Kuzkin: Running to the Nest\r 283
Foreword 283
The Journey 285
There 288
Event Number One – The Manipulator Mirror 289
Event Number Two – The Green Swing 290
Event Number Three – The Red-Dotted Wood 294
Event Number Four – The Triang 295
17: Masha Sumnina: Brink, Kerbside, Fence, Margin\r 301
Part Four: Russia, Today 307
18: Ilya Budraitskis: A Heritage Without an Heir\r 313
The ‘Eternal Present’: The Russian Version 313
A Revolution against Circumstances 316
Order and Disorder 323
On the Path to the “Historical Russia” 325
The Nontransparency of the Heritage 329
Notes 330
19: Dmitry Venkov: Krisis: A Film Script\r 333
20: Gleb Napreenko: Questions Without Answers, Answers Without Questions\r 341
21: Gluklya / Nataliapershina-Yakimanskaya: The Utopian Union of the Unemployed\r 353
05.09.16 354
06.09.16 356
07.09.16 356
08.09.16 357
09.09.16 357
10.09.16 357
11.09.16 358
12.09.16 358
15.09.16 359
16.09.16 360
17.09.16 361
18.09.16 362
19.09.16 362
20.09.16 363
21.09.16 363
22.09.16 364
23.09.16 364
24.09.16 365
25.09.16 365
26.09.16 366
27.09.16 366
28.09.16 367
29.09.16 367
30.09.16 367
31.09.16 368
1.10.16 369
24.09.16 370
22: Dmitry Vilensky: Chto Delat? and Method: Practicing Dialecticm\r 371
Mixing Different Things 371
On the Usefulness of Declarations 372
On the Totality of Capital, or Playing the Idiot 372
Being Productive? 372
On Compromises 373
On Working with Institutions 373
On Subjugation to the Dominant Class 374
On the Historicity of Art 374
The Formula of Dialectical Cinema 374
On Financing 375
On the Boundaries of the Disciplines 375
On the Question of Self-Education 375
On the Theory of the Weakest Link 376
On the Withering Away of Art 377
On the Utility of Reading, Viewing and the Supreme Privilege 378
Ideas and the Masses 379
On Universality 379
On World Art 379
On Leaders 379
On Defamiliarization and Subversive Affirmation 380
Is It Possible to Make Love Politically? 381
23: Yevgeny Granilshchikov: Weakness: A Scenario for Two Actors and One Camera\r 383
Part Five: Future Futures 393
24: Oxana Timofeeva: Ultra Black: Brief Notes Towards a Materialist Theory of Oil 399
25: Arseny Zhilyaev: Demand Full Automation of Contemporary Art\r 413
26: Alex Anikina: The Antichthon\r 433
27: Ivan Novikovi: Want to Be Afraid of the Forest\r 461
28: Pavel Pepperstein: The Skyscraper-Cleaner Pine Marten 467
About the Contributors 489
Text Credits 500
Image Credits 503
Index 506