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Walter Benjamin

Walter Benjamin

Esther Leslie

(2000)

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Book Details

Abstract

Esther Leslie's path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamin's oeuvre. In looking at the entirety of Benjamin's work - rather than the four or five essays available in English which tend to form the Benjamin 'canon' - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamin's work in its historical and political context.

In her examination of Benjamin's commentary on the politics and aesthetics of technology - from Benjamin's work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie re-contextualises Benjamin's writings in a lucid and cogently argued new study.
'The extensive historical detail assembled in the book is woven together with Benjamin's texts in a manner which convincingly exhibits the historical moment in the very fabric of those texts'
Radical Philosophy
'An important contribution to understanding Benjamin and technology, and should be read by those wishing to better understand the original reflections on technology by one of the past century's most original thinkers'
Douglas Kellner, UCLA

Table of Contents

Section Title Page Action Price
Contents v
Acknowledgements vi
Preface: An Accumulation of Technological Themes vii
On 'overpowering conformism' vii
1. Explosion of a Landscape 1
'Zum Planetarium': on a betrayed elective affinity 1
Surreal Experiences in Moscow and Paris 13
Fascist Warriors 25
Reality/ Experience 38
2. Benjamin's Objectives 42
Technology and Forms 42
Photographic Technologies 46
Technological Decline, Decline of Aura 52
Photographic Mimesis and the Construction of Deep Realities 56
3. Berlin Chthonic, Photos and Trains and Films and Cars 63
Technical Aids 63
Berliner Chronik, 1932: Technology, Memory, Experience 68
A Descriptive History of Technik 73
Remembering Berliner Chronik: An Interpretive Projection of Technological Potential 79
Experience and Poverty 83
4. Dream Whirled: Technik and Mirroring 89
'Logically Consistent Developments' 89
Fetishism and Realism 100
5. Murmurs from Darkest Europe 123
1934-38: Benjamin and the Unpopular Front 123
Eavesdropping in Brecht's House 127
6. The Work of Art in the Age of Unbearable Capitulation 130
The 'Artwork Essay': Three Different Versions 130
Actual Potential 133
First Nature, 'Second Nature', 'First Technik', 'Second Technik' 155
Epilogue: Aesthetics and Politics 162
7. Time for an Unnatural Death 168
Puppets of History 168
The Failure to Progress 175
Repeats: Bourgeois Thought 179
Flâneurs, Class-fighters, Conspirators 183
Consumers: Empathy and Fetishism 192
Anti-sympathy, Pro-modernist 195
Techniques of History Writing 201
Benjamin's Finale: Excavating and Remembering 208
Photography and Book Jackets 208
Melancholy, Personality and Monuments 212
A Short History of Benjamin Studies 219
Berlin, the Fall of the Wall and Anti- Marxism 225
Benjamin and Trotsky, Old Man, Hunched Man: Some Elective Affinities 228
A Final Assemblage 234
Hanging On 234
Notes 236
Preface: An Accumulation of Technological Themes 236
1 Explosion of a Landscape 237
2 Benjamin ’s Objectives 244
3 Berlin Chthonic,Photos and Trains and Films and Cars 247
4 Dream Whirled:Technik and Mirroring 250
5 Murmurs from Darkest Europe 255
6 The Work of Art in the Age of Unbearable Capitulation 256
7 Time for an Unnatural Death 263
8 Benjamin ’s Finale:Excavating and Remembering 269
Bibliography 276
Index 292
Adorno, Theodor 47