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Book Details
Abstract
Esther Leslie's path-breaking study of Walter Benjamin is unlike any other book presently available in English on Benjamin, in seeking to make a case for a more politicised reading of Benjamin's oeuvre. In looking at the entirety of Benjamin's work - rather than the four or five essays available in English which tend to form the Benjamin 'canon' - Leslie offers powerful new insights into a key twentieth-century political thinker, correcting the post-structuralist bias that has characterised so much Benjamin scholarship, and repositioning Benjamin's work in its historical and political context.
In her examination of Benjamin's commentary on the politics and aesthetics of technology - from Benjamin's work on nineteenth-century industrial culture to his analyses of the Nazi deployment of the bomber - Esther Leslie re-contextualises Benjamin's writings in a lucid and cogently argued new study.
'The extensive historical detail assembled in the book is woven together with Benjamin's texts in a manner which convincingly exhibits the historical moment in the very fabric of those texts'
Radical Philosophy
'An important contribution to understanding Benjamin and technology, and should be read by those wishing to better understand the original reflections on technology by one of the past century's most original thinkers'
Douglas Kellner, UCLA
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Contents | v | ||
Acknowledgements | vi | ||
Preface: An Accumulation of Technological Themes | vii | ||
On 'overpowering conformism' | vii | ||
1. Explosion of a Landscape | 1 | ||
'Zum Planetarium': on a betrayed elective affinity | 1 | ||
Surreal Experiences in Moscow and Paris | 13 | ||
Fascist Warriors | 25 | ||
Reality/ Experience | 38 | ||
2. Benjamin's Objectives | 42 | ||
Technology and Forms | 42 | ||
Photographic Technologies | 46 | ||
Technological Decline, Decline of Aura | 52 | ||
Photographic Mimesis and the Construction of Deep Realities | 56 | ||
3. Berlin Chthonic, Photos and Trains and Films and Cars | 63 | ||
Technical Aids | 63 | ||
Berliner Chronik, 1932: Technology, Memory, Experience | 68 | ||
A Descriptive History of Technik | 73 | ||
Remembering Berliner Chronik: An Interpretive Projection of Technological Potential | 79 | ||
Experience and Poverty | 83 | ||
4. Dream Whirled: Technik and Mirroring | 89 | ||
'Logically Consistent Developments' | 89 | ||
Fetishism and Realism | 100 | ||
5. Murmurs from Darkest Europe | 123 | ||
1934-38: Benjamin and the Unpopular Front | 123 | ||
Eavesdropping in Brecht's House | 127 | ||
6. The Work of Art in the Age of Unbearable Capitulation | 130 | ||
The 'Artwork Essay': Three Different Versions | 130 | ||
Actual Potential | 133 | ||
First Nature, 'Second Nature', 'First Technik', 'Second Technik' | 155 | ||
Epilogue: Aesthetics and Politics | 162 | ||
7. Time for an Unnatural Death | 168 | ||
Puppets of History | 168 | ||
The Failure to Progress | 175 | ||
Repeats: Bourgeois Thought | 179 | ||
Flâneurs, Class-fighters, Conspirators | 183 | ||
Consumers: Empathy and Fetishism | 192 | ||
Anti-sympathy, Pro-modernist | 195 | ||
Techniques of History Writing | 201 | ||
Benjamin's Finale: Excavating and Remembering | 208 | ||
Photography and Book Jackets | 208 | ||
Melancholy, Personality and Monuments | 212 | ||
A Short History of Benjamin Studies | 219 | ||
Berlin, the Fall of the Wall and Anti- Marxism | 225 | ||
Benjamin and Trotsky, Old Man, Hunched Man: Some Elective Affinities | 228 | ||
A Final Assemblage | 234 | ||
Hanging On | 234 | ||
Notes | 236 | ||
Preface: An Accumulation of Technological Themes | 236 | ||
1 Explosion of a Landscape | 237 | ||
2 Benjamin ’s Objectives | 244 | ||
3 Berlin Chthonic,Photos and Trains and Films and Cars | 247 | ||
4 Dream Whirled:Technik and Mirroring | 250 | ||
5 Murmurs from Darkest Europe | 255 | ||
6 The Work of Art in the Age of Unbearable Capitulation | 256 | ||
7 Time for an Unnatural Death | 263 | ||
8 Benjamin ’s Finale:Excavating and Remembering | 269 | ||
Bibliography | 276 | ||
Index | 292 | ||
Adorno, Theodor | 47 |