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The Sensible Stage

The Sensible Stage

Bridget Crone

(2017)

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Book Details

Abstract

The Sensible Stage is a collection of essays exploring the use of live performance and moving image in contemporary art practice. It engages with a global phenomenon in which elements from theatre and cinema are integrated into art as forms of archive, questioning the concept of materiality and undermining the boundaries between what we understand as ‘live’ or ‘mediated’, the ‘body’ or the ‘image’. Opening with a discussion between prominent philosopher Alain Badiou and Elle During, this book is grounded in the practice it analyses, bringing together a unique mixture of theoretical, creative and discursive reflections on the meeting of stage and screen. This expanded edition is an updated, in-depth insight into this highly important development in contemporary art practice, and contains revised material from the previous publication as well as two original chapters.

Table of Contents

Section Title Page Action Price
Cover Cover
Half Title i
Title iii
Copyright iv
Contents vii
Acknowledgements ix
Introduction 1
Chapter I: A Theatre of Operations: A Discussion between Alain Badiou and Elie During 17
Chapter II: Performer, Audience, Mirror: Cinema, Theatre and the Idea of the Live 31
Chapter III: ‘Je suis photographe’: Figures of Cinematic Narrators 49
Chapter IV: Spectators, Objects and Infrastructures: A Discussion between Dan Kidner and Bridget Crone 65
Chapter V: Treatise on Movement 83
Chapter VI: Moving Poses / Arresting Feeling: Jimmy Robert’s L'Education Sentimentale 99
Chapter VII: Between the Body and Object the Voice Appears: Yael Davids’ Learning to Imitate and Learning to Imitate in Absentia 115
Chapter VIII: The Subject in Process: Material Equations in the Work of Carolee Schneemann and Annabel Nicolson 125
Chapter IX: Working Songs: ‘yes to the connection between voice and audience’ 137
Chapter X: The Gesture of the Muted Voice: Cara Tolmie’s Myriad Mouth Line 149
Chapter XI: The Divided Stage: Splitting the Dialectics of Performance 159
Chapter XII: Notes Towards a Sensible Stage 171
Contributors 187
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