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Book Details
Abstract
Film Studies in China is a collection of specially selected articles chosen from issues of the Contemporary Cinema journal published throughout the year. Contemporary Cinema is one of the most prestigious academic film studies journals in China. Recently, this journal has been active not only in publishing Chinese scholarship for Chinese readers but also in reaching out to academia across the globe. Film Studies in China collates the best scholarship published throughout the year in Contemporary Cinema and translates it for an English speaking readership in order to create a cross-cultural academic conversation on the fields of Chinese cinema and media studies.
Table of Contents
| Section Title | Page | Action | Price |
|---|---|---|---|
| Cover | Cover | ||
| Half Title | i | ||
| Title | iii | ||
| Copyright | iv | ||
| Contents | v | ||
| Notes on Translation | vii | ||
| Foreword | ix | ||
| Chapter 1: The Culture and Aesthetics of Huo JianQi’s Films | 1 | ||
| Chapter 2: 12 Citizens: Twelve Chinese People, 1.2 Billion Voices: Successful Localization and Practical Application | 19 | ||
| Chapter 3: Intellectual Property Rights Transfers in a Borderless Era | 29 | ||
| Chapter 4: The Materialist View: Quality Editing Requires Editorial Integrity | 45 | ||
| Chapter 5: The Most Important Aspect of Film-Making is ‘Discovery’: A Conversation with Director Jia ZhangKe | 65 | ||
| Chapter 6: Film Culture Development in the Wake of New China’s ‘Pretonpian Society’: The ‘Netopia’ of Chinese Auteurs Constitutes a ‘New Force’ in the Industry | 93 | ||
| Chapter 7: Spiritual and Physical Manifestations and Cultural Signifiers of Trauma in Chinese Anti-Japanese War Films | 109 | ||
| Notes on Contributors | 125 | ||
| Contemporary Cinema Editorial Board | 127 | ||
| Notes on Intellect China Library Series | 129 | ||
| Back Cover | Back Cover |