Abstract

This practical and explanatory guide for library and cultural heritage professionals introduces and explains the use of open licences for content, data and metadata in libraries and other cultural heritage organisations. Using rich background information, international case studies and examples of best practice, this book outlines how and why open licences should and can be used with the sector’s content, data and metadata.                                         
Open Licensing for Cultural Heritage digs into the concept of ‘open’ in relation to intellectual property, providing context through the development of different fields, including open education, open source, open data, and open government. It explores the organisational benefits of open licensing and the open movement, including the importance of content discoverability, arguments for wider collections impact and access, the practical benefits of simplicity and scalability, and more ethical and principled arguments related to protection of public content and the public domain.
Content covered includes:

• an accessible introduction to relevant concepts, themes, and names, including ‘Creative Commons’, ‘attribution’, model licences, and licence versions
• distinctions between content that has been openly licensed and content that is in the public domain and why professionals in the sector should be aware of these differences
• an exploration of the organisational benefits of open licensing and the open movement
• the benefits and risks associated with open licensing
• a range of practical case studies from organisations including Newcastle Libraries, the University of Edinburgh, Statens Museum for Kunst (the National Gallery of Denmark), and the British Library.

This book will be useful reading for staff and policy makers across the gallery, library, archive and museum (GLAM) sector, who need a clear understanding of the open licensing environment, opportunities, risks and approaches to implementation. This includes library and information professionals, library and information services (LIS) professionals working specifically in the digital field (including digital curation, digitisation, digital production, resource discovery developers). It will also be of use to students of LIS Science, digital curation, digital humanities, archives and records management and museum studies.
This book will be of value to any institutions considering making their collections available digitally. The background and context information is largely clearly relevant, concise and sufficient. The book is very readable throughout. It will also be suitable for students studying courses in library and moveable cultural heritage management. Indeed I have recommended the book to my own students.






Adrienne Muir
Robert Gordon University
Journal of Cultural Heritage
Open Licensing for Cultural Heritage is as impressively informative as it is exceptionally well written, organized and presented. Unreservedly recommended as an essential, exceptional, indispensable, core addition to community, governmental, and academic Library Science collections, Open Licensing for Cultural Heritage is a necessary and invaluable instructional reference.

Micah Andrew
MBR Bookwatch
Gill Hamilton is Digital Access Manager at the National Library of Scotland where she leads on access to the Library’s extensive digital collections, and oversees its resource discovery and library management systems.
Fred Saunderson is the National Library of Scotland’s Intellectual Property Specialist where he has responsibility for providing copyright and intellectual property advice and guidance, as well as coordinating licensing and re-use procedures.  
'...a passionate call to arms for open licensing. This book is both accessible and comprehensive. It is highly recommended as essential reading for anybody working in the GLAM sector who is new to these issues or whose institutions are considering releasing and sharing their content more openly.'


Louise Ashton
British Library
Information Professional