Focusing provides an effective way of listening to the innate wisdom of the body, while art therapy harnesses and activates creative intelligence. Focusing-Oriented Art Therapy: Accessing the Body's Wisdom and Creative Intelligence is a ground-breaking book integrating renowned psychologist Eugene Gendlin's Focusing with art therapy. This new, Focusing-based approach to art therapy helps clients to befriend their inner experience, access healing imagery from the body's felt sense to express in art, and carry forward implicit steps that lead toward change.
Written for readers to be able to learn the application of this innovative approach, the book provides in-depth examples and descriptions of how to adapt Focusing-Oriented Art Therapy to a wide variety of clinical populations including individuals and groups with severe psychiatric illness, trauma, PTSD, anxiety, depression, and more, as well as applications to private practice, illness and wellness, spirituality, and self-care.
Integrating theory, clinical practice, and numerous guided exercises, this accessible book will enhance clinical sensitivity and skill, while adding resources for bringing creativity into practice. It will be of interest to art therapists, Focusing therapists, psychologists, counselors and social workers, as well as trainers and students.
Focusing-Oriented Art Therapy by Laury Rappaport is brilliantly conceptualized and written and will be useful to any mental health worker. Integrating theory, practice and case examples, the author successfully achieves her goal of integrating art therapy with Focusing with application to a wide variety of clients and settings. Her exercises and case examples reveal her to be a gifted therapist and her writing affords her the opportunity to share her creative talent with others. A must read.
Barbara F. Okun, PhD Northeastern University and Harvard Medical School
This is a gem of a book and I cannot recommend it highly enough. I am indebted to Dr Rappaport's for her wealth and generosity in the therapeutic field and I look forward to the forthcoming addition in the series, Focus-Orientated Dramatherapy.
Di Gammage, Dramatherapist
Here is finally a fascinating text and guide by a practitioner and experienced teacher in the field, who has the expertise to undertake the long overdue task, in providing a practical grounding for what philosophically supports a similar process, Focusing and Expressive Arts Therapy. Laury Rappaport is an articulate teacher and committed artist, who as a psychotherapist can look back on a long professional career, mastering Focusing and Expressive Arts Therapy alike. Based on this expertise, she eloquently presents a rich text written from a truly phenomenological perspective, that guides like a red thread through this practical book. As a result it speaks to therapists of diverse traditions. What a helpful contribution for a wide range of practitioners interested in the Arts or Focusing.
Paolo J Knill, PhD, Dr.h.c., Provost, European Graduate School, Swizterland
In a time the fields of neuroscience and somatic therapy increasingly inform therapeutic intervention, Laury Rappaport has written a book that is both timely and passionate in its message. As we continue to understand the relationship between the brain and emotion, sensory work or the "felt sense" is central to recovery and repair of both psyche and spirit. Rappaport provides a needed and comprehensive resource on why infusing the process of Focusing with art therapy is natural combination and one that creatively brings together mind and body in treatment. Every therapist who uses creative methods in their work will benefit from the wisdom found throughout this volume.
Cathy A. Malchiodi, PhD, ATR-BC, LPCC, National Institute for Trauma and Loss
The reader can get a solid foundation in both Focusing and Art Therapy through Dr. Laury Rappaport's book... With lots of exercises, enriched with examples from therapy and workshops, Focusing-Oriented Art Therapy dives deeply into the life process and yet it succeeds in being a highly practical book.
Akira Ikemi, PhD, Professor of Clinical Psychology, Kansai University (Japan), Certifying Focusing Coordinator and Focusing-Oriented Therapist, The Focusing Institute.
Focusing-Oriented Art Therapy is a major contribution to art therapy literature and practice. Laury Rappaport introduces a contemplative method and philosophy grounded in the body's felt-sense of experience and its innate and largely unrecognized wisdom. This intellectually provocative, yet thoroughly practical text, establishes Rappaport as an emergent leader in the art therapy world and author of a book that every student and art therapist must read in order to appreciate the depth and breadth of our discipline.
Shaun McNiff, University Professor, Lesley University, Cambridge, MA
Dr. Rappaport's professional, accessible and enjoyable detailed approach to Focusing-Oriented Art Therapy includes a user-friendly introduction to Gendlin's Focusing Method as well as a bridge to using Focusing with art therapy. The 44 focusing-oriented art therapy exercises included are easy to follow and clinically useful. Dr. Rappaport's book is for beginners and well-practiced professionals who work with individuals and groups. Readers will find it both refreshing and practical and a much used addition to their libraries.
Dr. Doris Arrington, ATR-BC, Licensed Psychologist, Notre Dame de Namur University
In a time the fields of neuroscience and somatic therapy increasingly inform therapeutic intervention, Laury Rappaport has written a book that is both timely and passionate in its message... Every therapist who uses creative methods in their work will benefit from the wisdom found throughout this volume.
Cathy A. Malchiodi, PhD, National Institute for Trauma and Loss, Lesley University, MA
Laury Rappaport, PhD, ATR-BC is Associate Professor at Notre Dame de Namur University, California, USA, and has been teaching expressive arts therapy for over 25 years. She is a licensed mental health counselor and licensed family therapist in Massachusetts, a board certified art therapist with the American Art Therapy Association, and a certified focusing trainer with The Focusing Institute. She has pioneered the creation of Focusing-Oriented Art Therapy and Focusing-Oriented Expressive Arts Therapy.
The reader can get a solid foundation in both Focusing and Art Therapy through Dr. Laury Rappaport's book. The book goes further to transform both of them, in showing how Focusing is always functioning in Art Therapy and how Art Therapy explicates the Focusing process. With lots of exercises, enriched with examples from therapy and workshops, Focusing-Oriented Art Therapy dives deeply into the life process and yet it succeeds in being a highly practical book.
Akira Ikemi, PhD, Professor of Clinical Psychology, Kansai University (Japan)
We have a duty to look beyond the psyche and reference the soma more often in therapeutic work. This book shows you a way to begin doing this.
British Association of Art Therapists
A major contribution to art therapy literature and practice... This intellectually provocative, yet thoroughly practical text, establishes Rappaport as an emergent leader in the art therapy world and author of a book that every student and art therapist must read in order to appreciate the depth and breadth of our discipline.
Shaun McNiff, Dean of Lesley College, MA
In her book, Focus-Oriented Art Therapy, Laury Rappaport, whilst acknowledging how each discipline is a complete practice for self-awareness, growth and therapeutic change in its own right, eloquently shows how the Focusing method can be wedded to this expressive arts therapy to form a "rich, transformational alchemy" (p.16).I found the author's clear, personal and at times, gently passionate manner made the book not only person-centred but also extremely reader-centred. Rappaport invites the reader to
engage with the material on a deeply experiential, embodied level, and there are bountiful rewards in store. Rappaport has written the book with several audiences in mind - professionals from each of the two disciplines wishing to integrate the other into their current practice and mental health and healing arts professionals who have an interest in both disciplines but are trained in neither one. An ambitious task, but one which, I believe, she achieves with intelligence and sensitivity. A rich and vivid tapestry of clients' images are woven throughout the book as we are taken on different journeys of healing. All the images are in black-and-white rather than colour which strangely enhanced their magic for me. I felt I was invited to imagine the tones and hues for myself. Rappaport's openness and generosity around her chosen art form resonated strongly for me; just because we are dramatherapists, or play therapists, or dance movement therapists, we do not have sole claim to these expressive media. Nor, as we discover, can Focusers assert exclusive possession of their approach. The spiritual essence permeates the writing throughout this book and I often found myself affected on many levels by its content. I also learnt a lot about art therapy and thoroughly appreciated the author's extensive knowledge and experience of her discipline (for instance, when not to invite clients to use their non-dominant hand in imagemaking) and the distinctions she makes between art therapy and art psychotherapy (prompting my thinking about dramatherapy and drama psychotherapy). Rappaport offers a very convincing argument for bringing Focusing and art therapy together and it would be easy to substitute dramatherapy in place of art therapy in the table on Interconnections (p.88, 90). Although this book is designed to be dipped in and out of, especially the exercises, I would really encourage a full reading of it. This is a gem of a book and I cannot recommend it highly enough. I am indebted to Dr Rappaport's for her wealth and generosity in the therapeutic field and I look forward to the forthcoming addition in the series, Focus-Oriented Dramatherapy.
Dramatherapy, Di Gammage
Table of Contents
|About the author|
|FROM RUMINAHUI TO CONAIE|
|Map of Ecuador|
|Chronicle of the uprisings, March 1999-January 2000|
|Progress on ice, 14 March-2 July 19|
|The hufpala returns to the streets, 6-19 July 1999|
|Ecuador, the United States and Colombia|
|Debt, dollars, headaches and sweeteners, 20 August-8 December 1999|
|Mahuad dollarises, 4-9 January 2000|
|Rescuing democracy, 11-14 January 2000|
|Journey to the rainbow 15-19 January 2000|
|Poncho utopia, 20-21 January 2000|
|The vice-president enters by the back door, 22-23 January 2000|
|A dance of accusations, 24 January 2000|
|Referendum and Indian reflections, 25-28 January 2000|
|BETWEEN VOICES: INTERVIEWS|
|Andres Guerrero: The indigenous and the constitutional myth|
|Antonio Vargas: A bombshell for the politicians|
|Luis Macas: Ushay, power, is a collective concept|
|Nina Pacari: Plurality does not mean division|
|Miguel Lluco: In minga for life|
|1 . Indigenous Plurinational Mandate|
|2. Extracts from ILO Convention 169 - Indigenous and Tribal Peoples Convention, 1989: Convention concerning Indigenous and Tribal Peoples in Independent Countries|
|3. Bibliography/Further reading|