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Book Details
Abstract
Praise for the first edition:
'Ann Cattanach writes with enormous empathy and warmth, and with a refreshing lack of sentimentality... [This] is an unpretentious and optimistic book, and a very positive addition to recent publications.'
- British Association of Play Therapists
'I would recommend the book to anyone working in this field. This is a well presented, clear and easy-to-read book, providing a balanced mixture of factual information and case material.'
- British Journal of Occupational Therapy
'What impressed me so much about this work was Cattanach's knowledge of children and their inherent strengths as well as their vulnerabilities. This practical and easy to apply book is recommended for anyone who works with abused children and would like further insight as well as practical and informative advice on healing the traumatized child.'
- Trauma and Loss: Research and Interventions
'Her accounts of the way in which play is used to make sense of traumatic experiences are full of insight and often moving. All aspects of the work are covered. This is an exceptional volume - goes far beyond a mere text book.'
- Therapy Weekly
This second edition of Ann Cattanach's highly commended book explores the use of play therapy with abused children as a way of helping them heal their distress and make sense of their experiences through expanding their own creativity in play.
The book provides practical ways of starting play therapy with abused children and explains how the child can use this process for healing. Models of intervention are described with consideration given to the particular needs of the child and the work setting of the therapist. Suggestions include short and medium term interventions, individual/group and sibling work. This edition provides new case study material, up-to-date information on relevant legislation on children's rights and welfare and recent developments in research in the field.
This book is essential reading for professionals working with abused children, as well as those interested in the use of creative therapies.
Cattanach's style exudes warmth and compassion and has enabled the text to retain its human perspective. but the addition of a subject index makes it far more accessible for those new in this field.
The text continues to cover a broad range of topis, from the history and cultural context of play, through to consideration of the fundamentals of play therapy before using case examples to probe different types of child harm within a clinical text.
To gain an understanding of the impact of harm on a child and the use of play therapy to aid the child in seeking resolution, this book remains a key introductory text to the field.
Children & Young People Now
This insightful book is a must read for anyone in contact with abused children, Ann Cattanach's practical approach provides a good starting point for carers, adopters, teachers and workers alike. Practising therapists will also gain greatly from the wisdom in these pages. Readers will be struck by the immense inner strength Ann has for herself, in her capacity to come so close to experiences and in understanding and supporting the children's healing. Readers will want to keep this book on their shelf to refer to many times over: Highly recommended.
Adoption Today
Ann Cattanach is a play therapist and dramatherapist in private practice. She has wide experience of teaching and lecturing in drama, dramatherapy and speech communication, and has also worked as a child psychotherapist, family therapist and dramatherapist for Social Services and NHS Trusts.
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Preface | |||
Map | |||
The Caribbean at a Glance | |||
l. Introduction: The Caribbean Crucible | |||
The Indian Heritage | |||
The Mrkan Heritage | |||
Patterns of Musical Retention | |||
The European Heritage | |||
Creolization | |||
2. Cuba | |||
A Day in Havana, 1986 | |||
The Cuban Crucible | |||
Mrkan-derived Musks | |||
Rumba | |||
A Music Festival in Santiago de Cuba | |||
European~derived Musks | |||
The Son and Modern Cuban Dance Musk | |||
"Socialism with Pachanga" | |||
3. Puerto Rico | |||
Cuba and Puerto Rico: 'The Two Wings of the Same Bird" | |||
European-derived Musks | |||
The Fiesta de Santiago Apostol at Loiza Aldea | |||
Plena and Bomba in the Dance Hall | |||
Music and the Puerto Rican Diaspora | |||
4. Salsa and Beyond | |||
The Son Sires a Son | |||
Ruben Blades: The Cutting Edge | |||
Style and Structure | |||
The Salsa Life | |||
Salsa Lite? | |||
Latin Rap | |||
Nueva Cancion | |||
5. The Dominican Republic | |||
The Emergence of Merengue | |||
The Merengue Tipico of Cibao | |||
The Merengue as National Symbol | |||
The Modem Merengue | |||
The Merengue Invasion | |||
Merengue Style and Dance | |||
Bachata: Songs of Bitterness | |||
Juan Luis Guerra | |||
6. Haiti and the French Caribbean | |||
Music in the Streets ofPort-au-Prince | |||
Haitian Cultural Crossroads | |||
Creolization in Haiti: Language | |||
Creolization in Haiti: Religion | |||
Carnival and R.ara | |||
Misik Twoubadou | |||
Haitian Dance Music | |||
Politics and the Haitian Diaspora | |||
Vodou-Jazz Today | |||
Music in the Lesser Antilles | |||
7. Jamaica | |||
1976: Traveling through Reggae's "Golden Era" | |||
Music in a Downtown Style: Recording the Unrecorded Kumina in a Trench Town Style: One Thread Out of Many | |||
Roots and Culture: Downtown Triumphant | |||
Techno-Roots: From Reggae to Ragga | |||
Coda: Rasta Kumina ina Raggamuffin Style | |||
8. Trinidad, Calypso, and Carnival | |||
The Development of Calypso and Carnival | |||
Calypso in Colonialism | |||
Modem Calypso and Carnival | |||
Calypso and Gender | |||
The Carnival Context | |||
Steel Band | |||
Calypso and Carnival outside Trinidad | |||
9. The Other Caribbean | |||
East Indians in the West Indies | |||
Introducing the Popular Music of Suriname | |||
Kmeko: Enter the Strings and Horns | |||
Aleke: The Drum Rules Again | |||
10. Five Themes in the Study of Caribbean Music | |||
Unity and Diversity in a Continent of Islands | |||
Race and Ethnicity | |||
Music, Sex, and Sexism | |||
Caribbean Music International | |||
Music and Politics | |||
Glossary | |||
Notes | |||
Index |