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Abstract
This important new book, including contributions from some of the most distinguished experts in the field, demonstrates that the relation between literature, culture and biology in the nineteenth century is far more complex than habitual references to Darwin would have us believe.
In the field of literary and cultural studies, interest in nineteenth-century biology has been substantial for the last 20 years, yet the focus has been almost exclusively on evolutionary theory, neglecting other branches of nineteenth-century biology. This collection corrects that imbalance, shedding light on other discoveries in cell biology, physiology, neurology and virology. It examines the issue of authority in science, demonstrating the social 'embeddedness' of the natural sciences, and gender issues. It also shows how scientists and creative writers drew on a common imagination as well as narrative techniques and stylistic devices; indeed, often inspired by the same subjects. This important new book, including contributions from some of the most distinguished experts in the field, demonstrates that the relation between literature, culture and biology in the nineteenth century is far more complex than habitual references to Darwin would have us believe.
Anne-Julia Zwierlein is Assistant Professor at the Centre for British Studies, University of Bamberg. She has published a monograph, 'Majestick Milton: British Imperial Expansion and Transformations of Paradise Lost, 1667–1837' (Münster, 2001) and co-edited 'Plotting Early Modern London: New Essays on Jacobean City Comedy' (Aldershot, 2004).
'Recommended for in-depth reading, which will surely offer illuminating insights beyond the range of specialised professional interests.' —'Anglistik: International Journal of English Studies'
'Each of the essays has a sparkle and charm of its own… [they] take us into relatively unexplored regions and offer fresh insights into their own particular subject area.' —'Victorian Studies'
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Cover | 1 | ||
Front Matter\r | 2 | ||
Half Title\r | 2 | ||
Series Page\r | 3 | ||
Title\r | 4 | ||
Copyright\r | 5 | ||
Contents\r | 6 | ||
List of Illustrations\r | 8 | ||
About the Authors\r | 12 | ||
Preface\r | 18 | ||
Main Body\r | 20 | ||
Introduction. Unmapped Countries: Biology, Literature and Culture in the Nineteenth Century, by Anne-Julia Zwierlein | 20 | ||
Biological Sciences in the Nineteenth Century \r | 20 | ||
The 'Science and Literature' Debate\r | 23 | ||
Unmapped Countries\r | 25 | ||
The Chapters\r | 27 | ||
Part I. Science and Literature\r | 32 | ||
1. 'This Questionable Little Book': Narrative Ambiguity in Nineteenth Century Literature of Science, by Charlotte Sleigh\r | 34 | ||
Introduction\r | 34 | ||
Early Century: a posteriori Desiderata and the Democratic Ideal\r | 36 | ||
Late Century: a priori Desiderata and the Moral Authoriality of Science\r | 40 | ||
Conclusion\r | 44 | ||
Acknowledgements\r | 45 | ||
2. Vestiges of English Literature: Robert Chambers, by Klaus Stierstorfer\r | 46 | ||
Introduction\r | 46 | ||
Robert Chambers, 'History of English Language and Literature'\r | 47 | ||
Part II. Evolution and Degeneration\r | 60 | ||
3. Aestheticism, Immorality and the Reception of Darwinism in Victorian Britain, by Gowan Dawson\r | 62 | ||
The Imputation of Indecency\r | 63 | ||
Nameless Shameless Abominations \r | 67 | ||
4. Constructing Darwinism in Literary Culture, by Janet Browne\r | 74 | ||
5. Close Encounters with a New Species: Darwin's Clash with the Feminists at the End of the Nineteenth Century, by Griet Vandermassen, Marysa Demoor and Johan Braeckman\r | 90 | ||
Male Scientists on Female Inferiority\r | 91 | ||
Women Rewriting Darwin\r | 95 | ||
Darwin and Women's Emancipation\r | 99 | ||
Acknowledgements\r | 100 | ||
6. Mutual Aid, a Factor of Peter Kropotkin's Literary Criticism, by Carol Peaker\r | 102 | ||
Kropotkin's Evolutionary Narrative\r | 103 | ||
Kropotkin's Aesthetic Narrative\r | 106 | ||
Mutual Aid and Kropotkin's Literary Criticism\r | 109 | ||
7. The Savage Within: Evolutionary Theory, Anthropology and the Unconscious in Fin-de-Siecle Literature, by Paul Goetsch\r | 114 | ||
Introduction\r | 114 | ||
Evolutionary Anthropology\r | 115 | ||
Traditional Representations of the Unconscious\r | 117 | ||
Athropologizing the Unconscious: Stevenson\r | 118 | ||
Anthropologizing the Unconscious:Conrad\r | 121 | ||
Conclusion\r | 124 | ||
8. Homer on the Evolutionary Scale: Interrelations Between Biology and Literature in the Writings of William Gladstone and Grant Allen, by Annette Kern-Stahler\r | 126 | ||
The Development of the Colour Sense\r | 127 | ||
Aesthetic Evolution\r | 132 | ||
Conclusion\r | 134 | ||
9. 'Naturfreund' or 'Naturfeind'? Darwinism in the Early Drawings of Alfred Kubin, by Alexandra Karl | 136 | ||
Part III. Physiology and Pathology\r | 152 | ||
10. Cells and Networks in Nineteenth Century Literature, by Laura Otis\r | 154 | ||
11. Contagious Sympathies: George Eliot and Rudolf Virchow, by Kirstie Blair\r | 164 | ||
12. From Parasitology to Parapsychology: Parasites in Nineteenth Century Science and Literature, by Anne-Julia Zwierlein\r | 174 | ||
Ruskin's Parasites: 'the Instinct for the Horrible' | 174 | ||
Biological Parasitism in Nineteenth Century Literature\r | 181 | ||
Dickens: Parasitism and Retrogression\r | 182 | ||
Eliot: Parasitical Egotism and the Sense of Community\r | 184 | ||
Stoker: Parasites and Proletarians\r | 187 | ||
Conan Doyle: Parasitology and Parapsychology\r | 188 | ||
13. Surgical Engineering in the Nineteenth Century: 'Frankenstein', 'The Island of Dr Moreau', 'Flatland', by Jurgen Meyer\r | 192 | ||
14. 'Serious' Science Versus 'Light' Entertainment? Femininity Concepts in Nineteenth Century British Medical Discourse and Popular Fiction, by Merle Tonnies\r | 202 | ||
Hegemonic versus Popular Discourse\r | 202 | ||
Two Views of Women's (Dis)abilities \r | 203 | ||
Medicine's 'moral insanity' and Sensational Crime\r | 205 | ||
Rebellious Patients and Angry Heroines\r | 207 | ||
Sensational Extremes of Self-Confessed Madness and Wrongful Confinement\r | 208 | ||
Sensational Nonconformity and Commercial Success\r | 210 | ||
15. Night Terrors: Medical and Literary Representations of Childhood Fear, by Sally Shuttleworth | 212 | ||
16. Sensuous Knowledge, by Kate Flint\r | 226 | ||
End Matter\r | 236 | ||
Notes\r | 236 | ||
Notes: Introduction\r | 236 | ||
Notes: Chapter 1\r | 237 | ||
Notes: Chapter 2\r | 239 | ||
Notes: Chapter 3\r | 240 | ||
Notes: Chapter 4\r | 241 | ||
Notes: Chapter 5\r | 242 | ||
Notes: Chapter 6\r | 244 | ||
Notes: Chapter 7\r | 245 | ||
Notes: Chapter 8\r | 247 | ||
Notes: Chapter 9\r | 253 | ||
Notes: Chapter 10\r | 255 | ||
Notes: Chapter 11\r | 255 | ||
Notes: Chapter 12\r | 257 | ||
Notes: Chapter 13\r | 260 | ||
Notes: Chapter 14\r | 263 | ||
Notes: Chapter 15\r | 266 | ||
Notes: Chapter 16\r | 268 | ||
Bibliography\r | 270 |