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Book Details
Abstract
What does it mean to be a modern Muslim today? In contemporary discourse Islam and modernity are often presented as each other’s opposites in media and popular culture.
Southeast Asia has a large Muslim population, especially in Indonesia, Malaysia, and Singapore, but Islamic culture in these states is conspicuously absent from the wider global discourse on Islam. With a focus on popular culture in Indonesia – a country that houses the world’s largest Muslim population and that is also undergoing modernisation –Islamic Modernities in Southeast Asia will demonstrate how Islamic modernities are being negotiated and constructed through popular and visual culture from a trans-regional perspective. Looking at a variety of Islamic-themed popular and visual culture including rock music, cinema, art, visual decorations in shopping malls, self-help books, and fashion blogs, the book explores how Islamic modernities are imagined, negotiated, contested, and shared in Southeast Asia.
Required reading, for those craving to understand Southeast Asia’s newborn halal chic. Using the latest in cultural theory, Schmidt takes us on a journey through late capitalist Indonesia, where political détente, new media technologies and religious pop compellingly combine, thus exploring the various new and exhilarating faces of a public Islam that increasingly serves a generation of Muslims, young and old, in making oneself modern.
Bart Barendregt, Associate Professor, Leiden University, the Netherlands
Leonie Schmidt is Assistant Professor in television studies in the Media Studies Department at the University of Amsterdam and a researcher at the Amsterdam School for Cultural Analysis.
Examining Islamic modernities and popular culture in Indonesia, Leonie Schmidt considers such diverse topics as visual culture, soap opera, cinema, fashion, rock music and urban space. In a region that is simultaneously Islamising and modernising, Schmidt shows how the juxtaposition of the seemingly incompatible can unsettle the modern/traditional dichotomy and highlight national and religious identities in their engagement with emerging modern lifestyle possibilities. Schmidt’s exciting and ambitious book is an important contribution to continuing debates about cultural transformation, pluralism and the promise of Islamic modernity.
Chris Hudson, Associate Professor of Asian Media and Culture, RMIT University
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Cover | Cover 1 | ||
Half Title | i | ||
Series Information | ii | ||
Title Page | iii | ||
Copyright Page | iv | ||
Contents | v | ||
Acknowledgements | vii | ||
Chapter One Introduction: Islamic-themed Popular and Visual Culture and Images of Modernities | 1 | ||
Islamic-themed Popular and Visual Culture in Southeast Asia | 4 | ||
Islam and Popular Culture during the New Order | 5 | ||
Post–New Order Transformations and the Rise of the Middle Class in Southeast Asia | 6 | ||
Islam in Islamic Popular and Visual Culture | 9 | ||
Southeast Asian Islamic-themed Popular and Visual Culture as a Field of Study | 10 | ||
Islamic Modernities | 13 | ||
Encounters with Modernities | 18 | ||
Ethnographic Observations | 19 | ||
Shopping Malls, Rock Stars, and Self-help Gurus | 20 | ||
Notes | 23 | ||
Chapter Two Urban Islamic Spectacles: Transforming the Space of the Shopping Mall during Ramadan | 25 | ||
The Politics of Spatial Ordering | 26 | ||
The Mall as a Heterotopia | 28 | ||
Ramadan as an Islamic Heterotopic Moment | 37 | ||
Towards an Integral Study of Space and Time | 53 | ||
Chapter Three Islamic Rock Music and Imaginations of Modernities | 55 | ||
Imagining Islamic Modernities, an Imagination across Space and Time | 59 | ||
Tuhan: Islam in a Modern World | 61 | ||
Perdamaian: Imagining, Negotiating, and Contesting Islamic Modernities | 63 | ||
Nationalism: Building a Modern Future | 68 | ||
Aspiring and Actualizing an Islamic Modern Future | 72 | ||
Chapter Four Islamic Self-help Books and Governmentality | 75 | ||
Islamic Self-help Books | 77 | ||
Governmentality, Self-help, and Religion | 78 | ||
Wonderful Family: The Keluarga Sakinah as the Foundation of Islamic Modernities | 80 | ||
Rasullulah’s Business School: Transforming Muhammad into a Modern Entrepreneur | 88 | ||
Twitografi Asma Nadia: Governing Muslim Girls | 95 | ||
The Modern Muslim as a Self-enterprising Citizen-Subject | 105 | ||
Note | 109 | ||
Chapter Five Muslim Masculinity and Femininity in Islamic-themed Films | 111 | ||
Islamic-themed Films and Biopolitical Governance | 114 | ||
Berbagi Suami: Polygamy and the Struggle of the Modern Woman | 116 | ||
Virgin: Controlling Wild Girls | 126 | ||
Ayat-Ayat Cinta: Violence, Polygamy, and Ideal Muslim Masculinity | 133 | ||
The National Function of post–New Order Femininities and Masculinities | 142 | ||
Chapter Six Liking, Wearing, and Sharing Islamic Modernities: Indonesian and Malaysian Muslim Fashion Bloggers | 145 | ||
Narrating the Fashionable Self | 150 | ||
Constructing Modern Fashionable Selves | 152 | ||
Cosmopolitanism and Class | 153 | ||
Motivational Religion: Staying Fashionable, Modest, and Pious | 157 | ||
Mobile, Cosmopolitan, Fashionable, Consumerist, and Pious Selves | 160 | ||
Notes | 162 | ||
Chapter Seven Unearthing the Past and Reimagining the Present: Contemporary Art and Muslim Politics in a Post-9/11 World | 163 | ||
Membuat Obama and the Politics of Juxtaposition | 165 | ||
11 June 2002 and the Politics of Memory | 170 | ||
Muslim Politics and Aesthetics: Practicing a Critical History | 175 | ||
Chapter Eight Conclusion: Islamic Modernities and the Politics of Plurality | 179 | ||
Modernities and the Means of Mediation | 185 | ||
Advancing Scholarship: Flows, Spaces, and Audiences | 189 | ||
Flows | 189 | ||
Spaces | 190 | ||
Audiences | 191 | ||
Bibliography | 193 | ||
Index | 207 |