BOOK
Optimizing Language Learners Nonverbal Behavior
Dr. Tammy Gregersen | Dr. Peter D. MacIntyre
(2017)
Additional Information
Book Details
Abstract
This book highlights the pivotal role that nonverbal behavior plays in target language communication, affect and cognition. It integrates research tenets and video demonstrations of nonverbal behavior with structured activities that will guide teachers and learners of any language to capitalize on the nonverbal means at their disposal. It does not shy away from the challenges that nonverbal communication poses in target language communication, including issues of personal and cultural identity that emerge with languages around the world. With its easy-to-use format, solid research support, and fully integrated activities and videos, this book is an essential resource for anyone interested in working with the nonverbal dimensions of communication. The text will be especially valuable for language educators, pre- and in-service teachers who are looking for classroom resources and ideas, who want to create positive classroom environments and want to improve learner interaction and communication while increasing language proficiency. This book is a valuable resource for anyone who interacts with other people in more than one language.
Gregersen and MacIntyre focus attention on the often neglected aspects of non-verbal behavior, giving first an overview of key areas, and then presenting more than a hundred ready-made activities for language teachers to use in the classroom. A valuable addition to the library of any language teacher or motivated intercultural traveler.
Joe McVeigh, co-author Tips for Teaching Culture: A Practical Approach to Intercultural Communication, USA
A must-read for 2017, this book is an excellent primer in nonverbal behavior and its related concepts. The text is easy to read, discusses the nonverbal codes at length, and contains detailed exercises on all the chapters. The book includes many research citations, so you can be confident that you are getting an up-to-date tool. Please be sure to put this on the top of your adoption book list in the beginning of the year.
Michael H. Eaves, Valdosta State University, USA
Gregersen and MacIntyre steer us skilfully through the complex field of nonverbal communication. They provide an in-depth examination of the multitude of ways nonverbal behaviour influences communication, and a cornucopia of activities for teachers to use with their learners. This book is a welcome addition to the literature that succeeds in moving this important field forward.
Marion Williams, University of Exeter, UK
Tammy Gregersen is Professor of TESOL at the University of Northern Iowa, USA. Her research interests include language teacher education, individual differences, positive psychology, nonverbal communication, emotion and affect. She is the co-author (with Peter D. MacIntyre) of Capitalizing on Language Learners' Individuality (2014) and co-editor (with Peter D. MacIntyre and Sarah Mercer) of Positive Psychology in SLA (2016).
Peter D. MacIntyre is Professor of Psychology at Cape Breton University, Canada. He has published widely on the themes of emotion, motivation and cognition and is the co-editor (with Zoltán Dörnyei and Alastair Henry) of Motivational Dynamics in Language Learning (2014).
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Contents | vii | ||
Notes for Readers | xiii | ||
Foreword | xv | ||
Preface | xix | ||
Part 1 Introduction | 1 | ||
Introduction | 3 | ||
Background on Nonverbal Behavior, its Teachability and General Training Recommendations | 7 | ||
Part 2 Codes | 23 | ||
Gesture | 25 | ||
Posture | 66 | ||
Facial Expression | 83 | ||
Eye Behavior | 107 | ||
Space and Touch | 123 | ||
Prosody | 143 | ||
Part 3 Activities | 167 | ||
Communicative Techniques | 169 | ||
CM 1: Confounding Cultural Contexts | 169 | ||
CM 2: Emblematic Problematic | 170 | ||
CM 3: Enigmatic Emblems | 171 | ||
CM 4: Allow Me to Explicitly Explain… | 173 | ||
CM 5: Thinking for Speaking: How My Language Influences My Gestures | 174 | ||
CM 6: Roles and Regulations | 174 | ||
CM 7: Facial Emblems of the Rich and Famous | 176 | ||
CM 8: Too Fast and Forward | 177 | ||
CM 9: Do I Raise My Gaze or Lessen My Look? | 178 | ||
CM 10: Postural Priorities by Culture | 180 | ||
CM 11: Contrasting Contact | 181 | ||
CM 12: Attuned Touch | 183 | ||
CM 13: Popping Bubbles | 185 | ||
CM 14: Turn-taking Talk | 186 | ||
CM 15: Dodging Dialogue Disruptions | 187 | ||
CM 16: Rehearsing Culturally Relevant Regulators | 188 | ||
CM 17: Mediating Memories; Negotiating Dreams | 189 | ||
CM 18: The Cure for Communication Hiccups: 3Cs and an A | 190 | ||
CM 19: Embodied Completions for Mutual Elaboration | 192 | ||
CM 20: Recipients Redefine by Design | 193 | ||
CM 21: An Assassin Among Us | 194 | ||
CM 22: Group Ten Count | 195 | ||
CM 23: Silence is Not Golden | 196 | ||
CM 24: Elucidating Linguistic Limitations through Compensation Cues | 197 | ||
CM 25: Optimal Input/Masking Shortcomings | 199 | ||
CM 26: Breaking the News: Complement or Qualify? | 200 | ||
CM 27: Illustrator Improvisations | 202 | ||
CM 28: Listening Unleashed | 203 | ||
CM 29: Speak-Eazy | 204 | ||
CM 30: Gestures to Jest By … | 206 | ||
CM 31: The Sculptor and his Lump of Clay: Positioning by Pointing | 207 | ||
CM 32: Ready … Set … Action! | 208 | ||
CM 33: Storytelling Signals | 210 | ||
CM 34: Redoubling Redundancy | 211 | ||
CM 35: With Only One Finger! – Reducing Listening Ambiguity | 212 | ||
CM 36: Better to Beat It! | 213 | ||
CM 37: Practicing Syntactic Displays through Readers’ Theater | 215 | ||
CM 38: Emblematic Faces | 216 | ||
CM 39: Grammar Gapping | 217 | ||
CM 40: Take Pause | 219 | ||
CM 41: Pausing to Persuade | 221 | ||
CM 42: Practicing Pauses; Pause to Practice | 223 | ||
CM 43: Halting Hesitation | 226 | ||
CM 44: Under-a-Minute Pause-in-Interaction Role Plays | 227 | ||
CM 45: Practicing Pitch Patterns | 228 | ||
CM 46: Intonation Idioms: Music to the Ears | 229 | ||
CM 47: Stressing Stress | 231 | ||
CM 48: Connecting with Connected Speech | 232 | ||
Affective Techniques | 235 | ||
AF 1: Mirror, Mirror, On the Wall … | 235 | ||
AF 2: Imitation is the Sincerest Form of Blabbery | 236 | ||
AF 3: Halt! Improvising Zones of Proximal Development (ZPDs) | 236 | ||
AF 4: Emotional Illustrations | 238 | ||
AF 5: Display your Dismay | 239 | ||
AF 6: Becoming Attuned: Notice, Associate, Respond | 241 | ||
AF 7: Deceit Detectives: Affect Cues as Clues | 242 | ||
AF 8: Tracking Tell-Tale Truths | 243 | ||
AF 9: The Gesture Police | 244 | ||
AF 10: Fractions of Facial Factions | 245 | ||
AF 11: Feeling Frenzy | 246 | ||
AF 12: Walk the Talk | 247 | ||
AF 13: Urge and Surge | 249 | ||
AF 14: Grin and Bear it! | 250 | ||
AF 15: Smile: Does the World Smile with Me? | 251 | ||
AF 16: Infectious Expressions | 253 | ||
AF 17: Anxious Al Meets Nervous Nelly | 254 | ||
AF 18: Avoiding the Resting Witch Face and Improving Initial Impressions | 256 | ||
AF 19: Everyone Emotes | 258 | ||
AF 20: Facial Freedom? No Such Luck | 260 | ||
AF 21: Display Dilemmas: With Whom and Where? | 263 | ||
AF 22: Mingling with Masks | 264 | ||
AF 23: Seeing Eye to Eye | 265 | ||
AF 24: An Eye toward Interaction | 266 | ||
AF 25: Gaze Away the Gray | 267 | ||
AF 26: I Dare You Not to Laugh | 268 | ||
AF 27: Playing with Persuasion | 269 | ||
AF 28: Gaze your Way to Status, Power and Control | 270 | ||
AF 29: Believe Me! | 272 | ||
AF 30: Dealing with Dissonance | 273 | ||
AF 31: Peek a Boo You Two: Your Posture Speaks Volumes | 274 | ||
AF 32: Energize Yourself through Posture | 275 | ||
AF 33: ‘Dissing’ with Distance | 276 | ||
AF 34: Chameleon Challenge | 278 | ||
AF 35: Windows to Openness | 280 | ||
AF 36: Striking the Assertiveness Balance | 281 | ||
AF 37: On the Hunt for Confidence, Likeability and Power | 284 | ||
AF 38: Plotting Personal Places | 286 | ||
AF 39: Space Invasion | 287 | ||
AF 40: Finding Affiliation or Protecting Privacy? | 288 | ||
AF 41: Touch-Type Scavenger Hunt | 290 | ||
AF 42: Touch Tones | 291 | ||
AF 43: Stroke, Squeeze, Shake – Emotion You Can’t Fake | 292 | ||
AF 44: Defusing Dilemmas and Accenting Affect through Touch | 294 | ||
AF 45: Trialing Touch for Compliance | 294 | ||
AF 46: Daily Touch Diary | 297 | ||
AF 47: Hypothesizing Contexts of Touch | 298 | ||
AF 48: Identical Words, Distinct Meanings | 300 | ||
AF 49: Laugh and the World Laughs with You | 301 | ||
AF 50: Your Voice is Music in my Ears! | 302 | ||
AF 51: Voice Cues Bingo | 304 | ||
AF 52: Self-monitoring My Inner and Outer Voices | 305 | ||
AF 53: I’m Going to Paris! Whooopeee! | 307 | ||
AF 54: Personality Parade | 309 | ||
Cognitive Techniques | 310 | ||
CG 1: Grounding Names in Action: I Dub Thee ‘Peculiar Peter’ | 310 | ||
CG 2: ‘Vividifying’ Mental Visions | 311 | ||
CG 3 (Part 1 of 2 Techniques): Squishy Squashy Strong and Sturdy | 312 | ||
CG 4 (Part 2 of 2 Techniques): Squishy Sponges and Strong Steel | 313 | ||
CG 5: Foreigner Talk | 314 | ||
CG 6: Act First; Ask Questions Later | 316 | ||
CG 7: Say it with your Hands! | 317 | ||
CG 8: Conceptual Information with Visuospatial Components | 319 | ||
CG 9: Mimemic Iconic Gestures | 321 | ||
CG 10: Rap it up!! | 322 | ||
CG 11: Rappin’ Freestyle | 324 | ||
CG 12: Memory in Motion Mayhem | 325 | ||
CG 13: Enacted Action Stories | 326 | ||
CG 14: Experimenting with Arbitrary Embodiment | 327 | ||
CG 15: Uncluttering Our Working Memories | 329 | ||
CG 16: Mission Invisible | 330 | ||
CG 17: Trying on Language through Drama | 332 | ||
CG 18: Up-right Posture: Up-surged Confidence | 332 | ||
CG 19: Run the Risk | 333 | ||
CG 20: Nod Your Way to Self-Satisfaction | 334 | ||
CG 21: Keep It Moving! | 336 | ||
CG 22: Watch What I Am Saying! | 337 | ||
CG 23: Your Eyes Don’t Lie! | 338 | ||
CG 24: Eyeball Escapades for Better Brain Behavior | 340 | ||
CG 25: The Eyes Have It | 342 | ||
CG 26: Minus the Monotone | 343 | ||
CG 27: Locating Learners’ Sweet Spot | 345 | ||
Conclusion – Nonverbal Positive Communication | 346 | ||
References | 351 | ||
Author Index | 366 | ||
Subject Index | 371 |