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Abstract
Caste, Entrepreneurship and the Illusions of Tradition is an ethnographic study of the potters of Kolkata’s Kumartuli, an analysis of their lives and the related commodification and instrumentalization of caste. This group of artisans turned artists do not display passive responses to colonial and capitalist encounters but engage actively with the modern and economic developments of society at large, redefining the concept of caste identity in the process. Caste, Entrepreneurship and the Illusions of Tradition suggests a new academic direction for the study of modern India, and of caste in particular, through an empirically grounded portrayal of the synthesis of traditional categories and contemporary realities.
‘Through a meticulous ethnographic study, this book offers an interesting account of how caste identity and the potters' craft of the Kumars of Kumartuli have survived in a competitive modern world of global capital. As there are not many serious academic studies on artisanal castes of Bengal, this book will be welcomed by scholars.’
–Sekhar Bandyopadhyay, Head, School of History, Philosophy, Political Science and International Relations, and Director, New Zealand India Research Institute, Victoria University of Wellington, New Zealand
In Kolkata’s traditional potter quarter of Kumartuli, a modern and a competitive market oriented approach to life is concealed behind tradition. Among the potters inhabiting the dirt-floored workshops of this caste-based neighbourhood, the history of a modern and economicly neoliberal-minded India unfolds. To these contemporary potters, caste is in their blood, caste is about being a creative and independent artist, and caste is about business as they engage in a competitive market to sell their artworks. This ethnographic study presents an analysis of these potters’ lives and the related commodification and instrumentalization of caste. An important insight is that Kumartuli consists of a group of artisans turned artists who do not display passive responses to colonial and capitalist encounters. On the contrary, this monograph unearths an ingenious and business-minded group that engages actively with the modern and economic developments of society at large, and, in the process, redefines the concept of caste identity. This study suggests a new academic direction for the study of modern India, and of caste in particular, through an empirically grounded portrayal of the synthesis of traditional categories and contemporary realities.
‘This ethnographically based study of the potter caste of Kolkata is a solid account that helps us understand how tradition adapts to globalization. It is also a loving account of Kolkata and its society.’ –Arild Engelsen Ruud, Professor of South Asia Studies, University of Oslo, Norway
Geir Heierstad is research director of international studies at the Norwegian Institute of Urban and Regional Research, and former associate professor in South Asia studies at the Department of Cultural Studies and Oriental Languages, University of Oslo, Norway. Heierstad is co-author of Indiske utfordringer (Indian Challenges, 2014), and coeditor of The Politics of Caste in West Bengal (2016), India’s Democracies: Diversity, Co-optation, Resistance (2016) and Demokrati på indisk (Democracy Indian Style, 2010).
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Cover | Cover 1 | ||
Front Matter | i | ||
Half-title | i | ||
Series information | ii | ||
Title page | iii | ||
Copyright information | iv | ||
Dedication | v | ||
Table of contents | vii | ||
List of Figures | xi | ||
Acknowledgments | xiii | ||
Transliteration And Terminology | xv | ||
Chapter (Prologue-7) | 1 | ||
Prologue: The Durga Puja Business | 1 | ||
The Old World | 4 | ||
A New World | 5 | ||
Chapter 1 On Kumars, Modernity, Caste and Commodification | 7 | ||
Comprehending the Kumars | 10 | ||
Making Modernity the Context | 12 | ||
Indian origins | 15 | ||
Caste between Structure and Practice | 19 | ||
Short depiction of the caste system and the Bengali case | 20 | ||
Conceptualizing and contextualizing caste | 25 | ||
Dumont, critiques and alternatives | 26 | ||
Caste today | 31 | ||
Commodification and Authenticity | 33 | ||
Fieldwork in Kumartuli | 33 | ||
On oral history | 36 | ||
Kumartuli and the world | 39 | ||
An Outline of the Book | 41 | ||
Chapter 2 The Civilized Potters and their Neighbourhood | 45 | ||
The First Kumar | 46 | ||
Of Rudraksha and the forefather of Bengali Kumbhakars | 47 | ||
Burning jungle and the first pottery | 51 | ||
Behind the Potter’s Wheel | 53 | ||
The Development of Kumartuli – the Story without Kumars | 56 | ||
Kolkata | 57 | ||
Kumartuli before and after Durga hits town | 60 | ||
Life and Work as Seasonal Image-Makers of Kumartuli | 65 | ||
The Potters’ History and their Society | 72 | ||
Contemporary Kumartuli Realities | 74 | ||
Numbers and classes | 76 | ||
The people – Maliks, Kumars and Kumbhakars | 78 | ||
The pujas and/as the Maliks’ work | 79 | ||
Constructing an unbaked clay murti | 85 | ||
In the end | 91 | ||
Chapter 3 Birth of Tradition, Coming of Modernity | 95 | ||
Gopeshwar Pal – an Artist? | 95 | ||
‘We Used to Listen to These People’s Names’ | 104 | ||
‘I Have to Accept My Father First, Only Then Can I Accept My Son’ | 108 | ||
‘The age of reproduction’ | 112 | ||
Innovation and pride | 117 | ||
When Modernity Settled in Kumartuli | 119 | ||
Chapter 4 Ancestral Homes – East Versus West | 125 | ||
On the Ground | 126 | ||
The fight for independence | 128 | ||
Partition | 133 | ||
Bangal, East Bengal | 135 | ||
Edeshi, West Bengal | 142 | ||
West Ghotis and East Bangals Today | 145 | ||
Chapter 5 Turmoil and Economics | 147 | ||
Patron–Client Economy | 148 | ||
Kumartuli Bazaar | 149 | ||
Political Turmoil | 151 | ||
Indira Gandhi – the Nationalization Redeemer | 156 | ||
Maliks and Labourers | 158 | ||
A Renewed Kumartuli Emerges | 165 | ||
Chapter 6 Accumulated Value: Education and Caste as Assets | 167 | ||
Successful Kumars of the Twenty-First Century | 168 | ||
Prodyut – broadband connected | 169 | ||
Parimal – presenting one’s portfolio | 175 | ||
Joyanta – aspiring artist | 180 | ||
Kumartuli reinvented, reimagined, reconfigured | 184 | ||
A Kumartuli without Mud Floors | 185 | ||
Modernity at Large: Caste for Sale | 191 | ||
Chapter 7 Commodification of Caste | 193 | ||
Caste versus Modernity | 194 | ||
Caste in twenty-first century Kumartuli | 196 | ||
Hierarchy and purity | 198 | ||
A Kumartuli Lesson | 200 | ||
An image of the Kumars of Kumartuli | 203 | ||
Commodification and the Illusions of Tradition | 205 | ||
End Matter | 207 | ||
References | 207 | ||
Index | 215 |