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Book Details
Abstract
Memory, Space, Sound presents a collection of essays from scholars in a range of disciplines that together explore the social, spatial, and temporal contexts that shape different forms of music and sonic practice. The contributors deploy different theoretical perspectives and methodological approaches from musicology, ethnomusicology, popular music studies, cultural history, media studies, and cultural studies as they analyze an array of examples, including live performances, music festivals, audiovisual material, and much more.
Table of Contents
| Section Title | Page | Action | Price |
|---|---|---|---|
| Cover | Cover | ||
| Half Title | i | ||
| Title | iii | ||
| Copyright | iv | ||
| Contents | v | ||
| Chapter 1: Introduction | 1 | ||
| Part I: Memory | 19 | ||
| Chapter 2: Cultural Memory of Sound and Space: The Case of the Declaration of Christmas Peace in Turku, Finland | 21 | ||
| Chapter 3: Authenticities on Display: Reflections on a Staged Pink Floyd Concert | 45 | ||
| Chapter 4: On the Remembered Relationship between Listeners and C-Cassette Technology | 69 | ||
| Chapter 5: Affective Memories of Music in Online Heritage Practice | 85 | ||
| Part II: Space | 103 | ||
| Chapter 6: Music as Cartography: English Audiences and Their Autobiographical Memories of the Musical Past | 105 | ||
| Chapter 7: Serbia’s Exit and Gucˇa Trumpet Festivals as Micro-National Spaces: Between Nation Building and Nation Branding | 125 | ||
| Chapter 8: Here, There and in between: Radio Spaces before the Second World War | 145 | ||
| Part III: Sound | 165 | ||
| Chapter 9: Space and Place in Electroacoustic Music | 167 | ||
| Chapter 10: The Repeated Tone of Civilization | 185 | ||
| Chapter 11: Hearing the Music | 201 | ||
| List of Contributors | 219 | ||
| Index | 223 | ||
| Back Cover | Back Cover |