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Book Details
Abstract
'This book rests on a lifetime’s thinking about history. It helps us see Shakespeare in “a more realistic light”.’
Times Literary Supplement
By placing the plays within this context of an emerging modernity, Kiernan upends our perception of Shakespeare's writings. He shows that these social transformations, and especially the changing roles of women, are crucial to our understanding of the Comedies, in which the confusion of identity, disguise, and cross-dressing play a central role, while the Histories similarly reflect the demise of feudal allegiances and the development of the modern state.
Featuring a new introduction by Michael Wood, Shakespeare: Poet and Citizen provides a rich resource for both students of literature and for the general reader looking for new insight into the life of our greatest dramatist.
Victor Kiernan (1913–2009) ranks among Britain’s most distinguished historians. After a fellowship at Trinity College, Cambridge, and a long period spent teaching in India, he joined the History Department at the University of Edinburgh, where he served as professor of modern history from 1970 until his retirement. Over the course of his life he authored such works as Eight Tragedies of Shakespeare, The Lords of Human Kind, European Empires from Conquest to Collapse, The Duel in European History and numerous others, as well as translating two volumes of Urdu poetry.
Michael Wood is broadcaster and film-maker, as well as being the author of several highly praised books on English history, including In Search of Shakespeare.
'Victor Kiernan is one of the best historians of seventeenth-century England. And he is also a sensitive literary critic. The combination of these gifts makes his book a remarkable achievement. It will become a classic.'
Christopher Hill
'The strength of this book lies in the total view of political and social conditions of the period which underpins it ... Unlike so many other books on Shakespeare … it will not scare off the non-academic reader.'
The Guardian
'This book rests on a lifetime’s thinking about history. It helps us see Shakespeare in “a more realistic light”.’
Times Literary Supplement
'[Kiernan's] detailed knowledge of the plays and the period they emerged from give an enormous authority to his analysis of the forces at work in them. He covers the entire canon, including the sonnets and the comedies but his analysis of the histories is central.'
Morning Star
'[A] splendid Marxist exploration of Shakespeare’s work...Victor Kiernan was a historian to rank with Eric Hobsbawm and Christopher Hill. His approach to Shakespeare is based on a deep historical understanding of the contradictions of the period, which makes him deeply sensitive to what the plays reveal.'
International Socialism Journal
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Cover | Cover | ||
About the Author\r | i | ||
Title\r | iii | ||
Copyright | iv | ||
Content | v | ||
Introduction by Michael Wood | vii | ||
Foreword | xi | ||
PART I: A Time Out of Joint | 1 | ||
1: Late Tudor England | 3 | ||
2: Society and Art | 9 | ||
3: Shakespeare's Life | 18 | ||
4: Shakespeare and the Theatre | 24 | ||
PART II: The Histories | 33 | ||
1: Shakespeare and English History | 35 | ||
2: The Plays | 40 | ||
Henry VI Part 1 (1590) | 40 | ||
Henry VI Part 2 (c. 1590) | 41 | ||
Henry VI Part 3 (c. 1591) | 44 | ||
Richard III (1591-92) | 45 | ||
King John (1590-91) | 48 | ||
Richard II (1595) | 52 | ||
Henry IV Part 1 (c. 1596-97) | 54 | ||
Henry IV Part 2 (c. 1597-98) | 59 | ||
Henry V (1599) | 67 | ||
3: Historical Themes | 75 | ||
Monarchy | 75 | ||
Feudal Nobility and Politics | 83 | ||
War | 95 | ||
Nationalism | 104 | ||
Religion | 109 | ||
Women and the Family | 116 | ||
Past and Present | 123 | ||
PART III: Experiments | 131 | ||
1: Tragedies | 133 | ||
Titus Andronicus (1594?) | 133 | ||
Romeo and Juliet (1594-96) | 136 | ||
2: Poems | 145 | ||
Venus and Adonis (1593) | 145 | ||
Lucrece (1594) | 147 | ||
3: Sonnets | 151 | ||
PART IV: The Comedies | 163 | ||
1: The Comic Realm | 165 | ||
2: The Plays | 168 | ||
The Taming of the Shrew (c. 1590) | 168 | ||
The Comedy of Errors (c. 1590-93) | 169 | ||
Love's Labour's Lost (c. 1595) | 170 | ||
The Two Gentlemen of Verona (c. 1593-94) | 172 | ||
A Midsummer Night's Dream (1596) | 173 | ||
The Merchant of Venice (1596-98) | 175 | ||
As You Like It (1598-99) | 182 | ||
Much Ado about Nothing (1598) | 186 | ||
The Merry Wives of Windsor (1597) | 188 | ||
Twelfth Night (1601-02) | 190 | ||
3: Comedy Themes | 195 | ||
Wit and Humour | 195 | ||
Men and Women | 200 | ||
Lovers | 210 | ||
Social Currents | 218 | ||
Affairs of State | 226 | ||
Epilogue | 233 | ||
PART V: Life Unfolding | 237 | ||
1: Chance and Destiny, Fate and Accident | 239 | ||
2: Towards the Tragic | 247 | ||
Bibliography | 252 | ||
Index | 258 |