Menu Expand
Dangerous Brown Men

Dangerous Brown Men

Professor Gargi Bhattacharyya

(2009)

Additional Information

Book Details

Abstract

Why is the public presentation of the war on terror suffused with sexualised racism? What does this tell us about ideas of gender, sexuality, religious and political identity and the role of the state in the Western powers? Can we diffuse inter-ethnic conflicts and change the way the West pursues its security agenda by understanding the role of sexualised racism in the war on terror? In asking such questions, Gargi Bhattacharyya considers how the concepts of imperialism, feminism, terror and security can be applied, in order to build on the influential debates about the sexualised character of colonialism. She examines the way in which western imperial violence has been associated with the rhetoric of rights and democracy - a project of bombing for freedom that has called into question the validity of western conceptions of democracy, rights and feminism. Such rhetoric has given rise to actions that go beyond simply protecting western interests or securing access to scarce resources and appear to be beyond instrumental reason. The articulations of racism that appear with the war on terror are animated by fears and sexual fantasies inexplicable by rational interest alone. There can be no resolution to this seemingly endless conflict without understanding the highly sexualised racism that animates it. Such an understanding threatens to pierce the heart of imperial relations, revealing their intense contradictions and uncovering attempts to normalise violent expropriation.
Gargi Bhattacharyya lives and works in Birmingham. She teaches and researches issues of 'race' and racisms, sexuality and globalisation. Her books include Tales of Dark-skinned Women (1998); Race and Power with John Gabriel and Stephen Small (2001); Sexuality and Society (2002); Traffick, the illicit movement of people and things (2005).
'This is a thought provoking book. It challenges common assumptions about the global social and political environment we face, both in the west and at a global level. In doing so it gives voice to a critical perspective that needs to be heard and critically discussed.' John Solomos, City University London 'This is an important and nuanced discussion of the `war on terror' as a cultural project which deploys sexualized racisms as its method. We are asked to stand against the rhetoric of transnational security and instead build alternative global publics to reject the `open secrets' that make us unwilling actors in this horrific war.' Zillah Eisenstein

Table of Contents

Section Title Page Action Price
Contents v
Acknowledgements vi
Introduction: Dangerous Brown Men? 1
Feminism and the war 4
Sexuality, affect and clashing values 9
Multiculturalism and backlash 10
Dangerous brown men – is the War on Terror really about sex? 12
1 The Misuse of Feminism in Foreign Policy 18
Rhetorics of feminism and the War on Terror 20
The War on Terror as yet another ethnic war 23
Feminist thinking and transnational understanding 25
Feminism via the academy 27
Transnational feminism and rethinking alliances again 29
Feminism, multiculturalism and the limits of sovereignty 33
What is this War on Terror feminism? 39
2 Bodies, Fears and Rights 46
Consumption, sexualisation and the emancipated western(ised) woman 49
Mothering, reproduction and terror 51
The extremist mother 52
Suicide bombing 54
Radicalisation 57
Guantánamo — the spectacle of the open secret 58
Visualisation and embodiment 60
Human rights and military intervention 63
Embodying danger and masculinity 66
Embodying dangerous men 71
3 State Racism and Muslim Men as a Racialised Threat 74
The War on Terror and state racisms 75
Not the first time 76
Establishing the category of the less-than-human 78
Why ‘militarisation’? 82
Sexualised racism and religious unreason 85
Bodies and beliefs 90
The War on Terror and everyday life in the West 92
The backlash against multiculturalism and imagining terrorist threats 96
Dangerous brown men on our streets 97
4 Sexuality in Torture 105
Sexualised racism and the legitimisation of torture and abuse 106
Is the War on Terror a racist war? 107
Spectacularisation as a form of abuse 109
Sexualised racism as a strategy of dehumanisation 112
Pictures of abuse 114
When torture is not a secret 117
Why pictures? 119
Narratives of suffering 124
Terror as secret vice 130
Terror as pleasure 131
Conclusion: The Spectacle of Violence 134
Sexual propriety and civilisational battles 135
The global public and offers that cannot be refused 136
References 145
Index 165