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Media, Mobilization, and Human Rights

Media, Mobilization, and Human Rights

Tristan Anne Borer

(2012)

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Book Details

Abstract

What impact do mass media portrayals of atrocities have on activism? Why do these news stories sometimes mobilize people, while at other times they are met with indifference? Do different forms of media have greater or lesser impacts on mobilization? These are just some of the questions addressed in Media, Mobilization, and Human Rights, which investigates the assumption that exposure to human rights violations in countries far away causes people to respond with activism. Turning a critical eye on existing scholarship, which argues either that viewing and reading about violence can serve as a force for good (through increased activism) or as a source of evil (by objectifying and exploiting the victims of violence), the authors argue that reality is far more complex, and that there is nothing inherently positive or negative about exposure to the suffering of others. In exploring this, the book offers an array of case studies: from human rights reporting in Mexican newspapers to the impact of media imagery on humanitarian intervention in Somalia; from the influence of celebrity activism to the growing role of social media. By examining a variety of media forms, from television and radio to social networking, the interdisciplinary set of authors present radical new ways of thinking about the intersection of media portrayals of human suffering and activist responses to them.
'In a global media age communications are pivotal in the mobilization of human rights around the world, especially when denied in atrocious acts of inhumanity. This timely, insightful book throws a critical spotlight on mediated suffering, its power and performance.' Professor Simon Cottle, School of Journalism, Media and Cultural Studies, Cardiff University 'Tristan Anne Borer has done a great service for both academics and activists by summarizing research on the world's "failure to act" in the face of human rights atrocities. Case studies serve to illuminate when inaction has been a news production or an audience reception problem, and point out not only immensely valuable lessons for educators and NGOs, but needed arenas for future study.' Professor Susan Moeller, Philip Merrill School of Journalism 'This is the book that scholars in the humanities and human rights have been waiting for. Together, its contributors push perennial questions about the relationship between violence and the image, between seeing and acting, and between the aspirations and the limits of cosmopolitanism to new levels of understanding. Theoretically sophisticated and historically substantial, the eminently readable essays in this volume employ impeccable close readings and analysis, case studies, and empirical evidence to advance powerful conclusions regarding the role of the media and cultural texts in struggles for recognition of global suffering and, alternatively, for building cultures of human rights.' Elizabeth Swanson Goldberg, associate professor, Babson College, Massachusetts
Tristan Anne Borer is professor of government and international relations at Connecticut College in New London, CT.

Table of Contents

Section Title Page Action Price
About the editor i
Title page\r iii
Copyright\r iv
Contents v
Acknowledgments vii
Introduction: willful ignorance – news production, audience reception, and responses to suffering 1
Twenty years in Somalia 1
Mediating suffering 3
States, the media, and humanitarian intervention 6
Ordinary people, the media, and distant suffering 9
News production – the first half of the equation 15
Audience reception – the other half of the equation 23
Critiques 32
Conclusion 36
Notes 37
References 38
1 | Humanitarian intervention in the 1990s: cultural remembrance and the reading of Somalia as Vietnam 42
‘We were wrong, terribly wrong’: Vietnam in the 1990s 47
‘We saw it … in Vietnam. We saw it in Somalia’: debating humanitarian intervention in the 1990s 52
‘We should have said no’: Vietnam’s legacy and popular culture of the Somalia intervention 57
Conclusion 63
Notes 64
References 64
2 | Framing a rights ethos: artistic media and the dream of a culture without borders 67
Purposes 69
Modes 71
Case studies 74
2.1 Satrapi uses frame sequencing as a method of ironic juxtaposition 76
2.2 Delisle uses iconography toreduce an oil and gas company to its essence 77
2.3 Delisle uses the iconic representation of institutions to indicate a complex social program in a visual shorthand 78
2.4 Sacco uses iconographic reduction in an otherwise realist setting, distilling F.’s essence to his enraged mouth 78
2.5 Spiegelman uses visual metaphorto testify to his father’s experience of being trapped 79
2.6 Satrapi juxtaposes visual metaphors of modernity and the West with Persian culture 80
2.7 Satrapi recasts Edvard Munch’s iconic image of The Scream as an Iranian girl’s horror of the revolution 80
2.8 Stassen uses the dog metaphor to indicate Deogratias’ self-image 81
2.9 Satrapi makes use of the gaps between panels to slow down the pace of the action 82
2.10 Satrapi employs chiaroscuro to represent lament 84
2.11 Laughing at the curriculum on torture 85
2.12 Sacco’s reporter fails to understand that laughter is the story 86
2.13 Delisle presents the annual Water Festival as Burmese 87
Problems 88
Immediate action versus structures of feeling 91
References 92
3 | How editors choose which human rights news to cover: a case study of Mexican newspapers 96
Introduction 96
Background 96
A framework for understanding news selection 99
3.1 Model illustrating the process of news selection 99
Determining the newsworthiness of human rights information 103
Journalistic aims of human rights reporting: supporting democracy and stopping violations 107
Economic aims of human rights reporting: meeting reader demand and filling column inches 112
Political aims of human rights reporting: limited partisan and personal motives 117
Conclusion 118
Notes 119
References 120
4 | Framing strategies for economic and social rights in the United States 122
Introduction 122
The role of framing 123
Framing strategies for economic and social rights 127
Table 4.1 Common framing strategies for economic and social rights 128
Conclusions 136
Notes 138
References 139
5 | ‘Fresh, wet tears’: shock media and human rights awareness campaigns 143
Introduction 143
Shock public safety advertisements (PSAs) 144
Human rights shock PSAs 146
Why use shock? Does it work? 153
Gender and HR shock PSAs 158
Conclusion 170
Notes 173
References 177
6 | Celebrity diplomats as mobilizers? Celebrities and activism in a hypermediated time 181
Celebrities in the ‘network society’ 181
Media and society: the role of the celebrity 184
The celebrity, citizens, and activism in a star-obsessed culture 187
Celebrity diplomats and the international arena 190
The successful celebrity diplomat: NGOs, civil society, and the public at large 193
Rocking the boat from within: sites of tension for celebrity mobilizers 195
Conclusion: celebrity mobilizers as a generative force 199
Notes 201
References 202
7 | Amplifying individual impact: social media’s emerging role in activism 205
Spreading the word: how boundary crossing and ‘strong weak’ ties make social media powerful cause-communication mechanisms 206
Online petitions, boycotts, and letter-writing campaigns: how social media organize collective action and recruit participants in a cause 207
Everybody can broadcast: how bypassing traditional media can facilitate change 211
How social media are decentralizing leadership 212
Conclusion: everyone is a potential activist organization 213
Notes 215
References 215
8 | The spectacle of suffering and humanitarian intervention in Somalia 216
Introduction 216
What is the ‘spectacle of suffering’? 220
The iconography of famine: Biafra 1968 223
Emergence of the spectacle: Somalia 1991 228
Conclusion: bearing witness to distant suffering in an age of spectacle 233
References 238
About the contributors 240
Index 243