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Modernist Afterlives in Irish Literature and Culture

Modernist Afterlives in Irish Literature and Culture

Paige Reynolds

(2016)

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Book Details

Abstract

Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms, and practices of high modernism in Irish literature and culture produced subsequent to this influential movement. Modernist Afterlives in Irish Literature and Culture closely examines how Irish writers and artists from the mid-twentieth century onwards grapple with the legacies bequeathed by modernism and seek to forge new modes of expression for modern and contemporary culture.


‘Modernist Afterlives is a startlingly fresh and provocative collection which brings together a sparkling array of subjects and contributors. This is at once a field-defining and field-opening volume, offering hospitality to new, compelling perspectives and lasting illuminations for its readers.’ Margaret Kelleher, Chair of Anglo-Irish Literature and Drama, University College Dublin


‘An articulate and compelling testament to the state of Irish studies at the present moment. The essays collected here, under Reynolds’s wise guidance, make a vibrant case for the ongoing role of Irish modernism in a 21st-century global context.’ Kevin Dettmar, W. M. Keck Professor and Chair, Pomona College, California

 


Paige Reynolds is a professor in the Department of English at the College of the Holy Cross, Worcester, Massachusetts. Author of Modernism, Drama, and the Audience for Irish Spectacle, Reynolds has published on topics related to modernism, modern and contemporary Irish literature, drama and performance and periodical culture.


‘This rich collection contributes significantly to our understanding of modernism’s continuing vibrancy in Ireland and beyond in ways that modernist scholars will acknowledge by their engaged, admiring responses. There is no other collection like it, but it will spawn progeny, in its own afterlife.’ John Paul Riquelme, Professor of English, Boston University


Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement.

Modernist Afterlives in Irish Literature and Culture closely examines how Irish writers and artists from the mid-twentieth century onwards grapple with the legacies bequeathed by modernism and seek to forge new modes of expression for modern and contemporary culture.

Modernist Afterlives in Irish Literature and Culture brings together many of the most respected and renowned scholars in Irish and modernist studies, demonstrating the diversity of intellectual approaches to the Irish culture produced in the wake of high modernism.


‘This impressive, truly multidisciplinary volume engages seminal aspects of modernism in a wide variety of Irish cultural forms and artifacts. It embarks upon a unique project which will greatly benefit all serious students of Irish culture.’ Stephen Watt, Provost Professor of English, Indiana University


‘Irish modernism is often perceived as being before its time but this stunning collection makes clear that many of the best lines were kept until last. These essays provide vital reading for new, interdisciplinary approaches to modernism, Irish Studies, post-colonialism, visual culture and gender studies.’ Luke Gibbons, author of Joyce’s Ghosts, Ireland, Modernism, and Memory

Table of Contents

Section Title Page Action Price
Cover Cover1
Front Matter i
Half-title i
Series information ii
Title page iii
Copyright information iv
Table of contents v
List of figures vii
Acknowledgements ix
Introduction 1
Irish Modernist Afterlives in Space and Time 3
Modernist Afterlives and Interdisciplinarity 4
Notes 8
Section One Literature and Language 9
Chapter (1-6) 11
1. ‘A World of Hotels and Gaols’: Women Novelists and the Spaces of Irish Modernism, 1930–32 11
Notes 20
2. ‘I Knew What It Meant / Not to Be at All’: Death and the (Modernist) Afterlife in the Work of Irish Women Poets of the 1940s 23
Notes 32
3. ‘Whatever Is Given / Can Always Be Reimagined’: Seamus Heaney’s Indefinite Modernism 35
Notes 45
4. James Joyce and the Lives of Edna O’Brien 49
Notes 58
5. Modernist Topoi and Late Modernist Praxis in Recent Irish Poetry (with Special Reference to the Work of David Lloyd) 61
Notes 71
6. ‘Amach Leis!’ (Out with It!): Modernist Inheritances in Micheál Ó Conghaile’s ‘Athair’ (‘Father’) 75
Notes 86
Section Two Institutions, Art and Performance 91
Chapter (7-12) 93
7. ‘Make a Letter Like a Monument’: Remnants of Modernist Literary Institutions in Ireland 93
The Cuala Press, Revivalism and Modernism 94
The Dolmen Press and Monuments to Modernism 96
The Dolmen’s Modernist Revival 98
Literary Institutions, the Local and the Global 105
Notes 108
8. Storm in a Teacup: Irish Modernist Art 111
Notes 123
9. ‘Particles of Meaning’: The Modernist Afterlife in Irish Design 125
The Conditions of Irish Modernity: Pioneering Modernism and the Nation-Building Project, 1914–39 127
The Modernist Afterlife in Irish Design: International and Vernacular Modernism 1933–79 132
Conclusion 139
Notes 139
10. Animal Afterlives: Equine Legacies in Irish Visual Culture 141
Notes 151
11. Choreographies of Irish Modernity: Alternative ‘Ideas of a Nation’ in Yeats’s At the Hawk’s Well and Ó Conchúir’s Cure 153
At the Hawk’s Well 154
Cure 156
Concluding Thought 160
Notes 161
12. The Modernist Impulse in Irish Theatre: Anu Productions and the Monto 163
The Active Spectator 164
The Boys of Foley Street 165
The Active Witness 167
Form and Meaning 168
A Dramaturgy of Trauma 170
Modernist Spectacle? 171
Notes 173
Afterword: The Poetics of Perpetuation 175
End Matter 187
Notes on Contributors 183
Index 187