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Action!

Action!

Gary Morris | Jonathan Rosenbaum | Bert Cardullo

(2009)

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Book Details

Abstract

‘Action!’ presents nineteen outstanding interviews with directors past and present, from around the world, working in a variety of genres, budgets and production environments from major studios to indie and DIY. The result is a vibrant group portrait of the filmmaking art, a kind of festival in words that explores everything from the enormous creative and personal satisfactions to the challenges and frustrations of the process.


‘Action! Interviews with Directors from Classical Hollywood to Contemporary Iran’ presents nineteen outstanding interviews with directors past and present, from around the world, working in a variety of genres and budgets and production environments from major studios to indie and DIY. The result is a vibrant group portrait of the filmmaking art, a kind of festival in words that explores everything from the enormous creative and personal satisfactions of filmmaking to the challenges and frustrations that range from meddlesome studio heads to state censorship. These articulate auteurs include iconic figures Fellini and Truffaut (in his moving final interview), avant-garde masters Otto Muehl and the Brothers Quay, social critics Barbara Kopple and Allie Light, mainstream mavericks Robert Wise and Douglas Sirk, and eleven others. While their work (and working methods) varies widely, these directors share the status of pioneer and subversive, fighting – sometimes against great odds – to put their unique vision onscreen.


'A 'must-own' for anyone seriously interested in developing a source-book library on film directing. These are the greats and the near-greats, many of whom have rarely been interviewed. The editor did a wonderful job!' —Eric Sherman, author of ‘Directing the Film’


Gary Morris publishes and edits ‘Bright Lights Film Journal’ and is the author of the monograph ‘Roger Corman’ (1985) in the prestigious Twayne Theatrical Arts Series.


''Action!' is a treasure-trove: nineteen rare interviews with a wide variety of film directors, all conducted by writers who are truly savvy about their subjects.  The book as a whole adds up to a practical PhD in what it takes to put personal vision up on the screen, both then and now.' —Jeanine Basinger, Chair, Film Studies Department, Wesleyan University


'I dare anyone to squeeze between two covers a more varied, useful and flat out entertaining sampling of the personalities that make the seventh art the liveliest.' —David Hudson, IFC.com


'Gary Morris and his distinguished collaborators are expert interviewers, deftly guiding conversations from tiny but illuminating details of practice to the highest and brightest flights of interpretation.' —Dave Kehr, film critic of the ‘New York Times’


'Utterly engaging… ‘Action!’ [is] a wide-ranging and exemplary collection.' —Richard Brody, ‘The New Yorker’


Table of Contents

Section Title Page Action Price
Front Matter\r i
Half Title \r i
Title \r iii
Copyright\r iv
Contents\r v
Foreword\r vii
Editor's Preface\r xi
Acknowledgements\r xv
Introduction: The Art and Craft of Interviewing: A View from Within\r xvii
Main Body\r 1
I. Going Hollywood: Masters of Studio Style\r 1
Chapter 1. Angel in Exile: Allan Dwan, by Howard Mandelbaum and Gary Morris 3
Interview\r 4
On some contemporaries\r 11
Outtakes\r 12
Chapter 2. \"An Unhappy End\": Douglas Sirk, by Michael Stern\r 17
Introduction, by Gary Morris\r 17
Interview, by Michael Stern\r 19
George Zuckerman on Sirk\r 34
Albert Zugsmith on Sirk\r 35
Chapter 3. Somebody Up There Likes Me: Robert Wise, by C. Jerry Kutner\r 39
Interview: Part 1\r 42
Interview: Part 2\r 51
Reference\r 63
Chapter 4. \"The Greatest Movie the World Has Never Seen\": Peter Bogdanovich and Joseph McBride on Orson Welles' 'The Other Side of the Wind', by Damien Love 65
Interview\r 67
References\r 85
Chapter 5. \"Plant Your Feet and Tell the Truth\": Clint Eastwood, by Tony Macklin 89
Interview\r 90
II. Tickets to the Dark Side: Festival Favorites\r 103
Chapter 6. 'Manderlay': Lars von Trier, by Karin Luisa Badt\r 105
Interview\r 106
References\r 111
Chapter 7. '20 Angosht (20 Fingers)': Mania Akbari, by Dorna Khazeni \r 113
Interview\r 116
Chapter 8. 'I Am a Sex Addict': Caveh Zahedi, by Peter Rinaldi\r 123
Interview\r 124
Chapter 9. 'Caché (Hidden)': Michael Haneke, by Karin Luisa Badt\r 131
Interview\r 134
III. Blows Against the Empire: Indie Godfathers\r 139
Chapter 10. Sweet Sould Music: Melvin and Mario Van Peebles, by Damon Smith\r 141
Interview\r 142
Chapter 11. Nearer My Corman to Thee: Roger Corman, Bruce Dern and David Carradine, by Damien Love \r 153
Interview\r 155
Bruce Dern\r 165
David Carradine\r 168
References\r 170
IV. Edgeplay: Avant-Garde Auteurs\r 173
Chapter 12. An Actionist Begins to Sing: Otto Muehl, by Andrew Grossman\r 175
Interview, Translated from the German by Robert Mark Grossman\r 180
References\r 204
Chapter 13. \"They're Panicking, Look at Them!\" The Brothers Quay, by Damon Smith 207
Interview\r 209
V. Women in Revolt: Artist-Activists\r 225
Chapter 14. 'Dialogues with Madwomen': Allie Light, by Gary Morris \r 227
Interview\r 230
Chapter 15. 'Shut up & Sing': Barbara Kopple, by Damon Smith\r 235
Interview\r 238
VI. The Canon: Brilliance without Borders\r 245
Chapter 16. \"For a Kind of Pleasure\": Federico Fellini, by Toni Maraini, Trans. by A. K. Bierman 247
Interview\r 248
Chapter 17. Transcendental Style, Poetic Precision: Robert Bresson, by Bert Cardullo\r 265
Interview\r 266
Chapter 18. \"The Fruitful Tree Bends\": Abbas Kiarostami, by Bert Cardullo\r 299
Interview\r 300
Chapter 19. Alter Ego, Autobiography and Auterurism: François Truffaut's Last interview, by Bert Cardullo \r 323
Interview\r 324
End Matter\r 347
Contributor Biographies\r 347