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The Anthropologist as Writer

The Anthropologist as Writer

Helena Wulff

(2016)

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Book Details

Abstract

Writing is crucial to anthropology, but which genres are anthropologists expected to master in the 21st century? This book explores how anthropological writing shapes the intellectual content of the discipline and academic careers. First, chapters identify the different writing genres and contexts anthropologists actually engage with. Second, this book argues for the usefulness and necessity of taking seriously the idea of writing as a craft and of writing across and within genres in new ways. Although academic writing is an anthropologist’s primary genre, they also write in many others, from drafting administrative texts and filing reports to composing ethnographically inspired journalism and fiction.


“Overall, the collection should be a mandatory reference for all working ethnographers in the social sciences and required reading in all graduate courses on ethnographic methods.” • Journal of the Royal Anthropological Institute (JRAI)

“This well-written collection of essays is not merely a programmatic statement about the need for anthropologists to experiment with genres, but indicates how it can be done. It succeeds in showing just as much as telling, with examples ranging from the thought-provoking to the entertaining.” • Thomas Hylland Eriksen, University of Oslo


Helena Wulff is Professor of Social Anthropology at Stockholm University. Among her publications are the monographs Ballet across Borders (1998, Bloomsbury), Dancing at the Crossroads (2007, Berghahn), and Rhythms of Writing (2017, Bloomsbury).

Table of Contents

Section Title Page Action Price
Contents 5
Tables 7
Acknowledgments 8
Introducing the Anthropologist as Writer: Across and Within Genres 9
Part I — The Role of Writing in Anthropological Careers 27
Chapter 1 — The Necessity of Being a Writer in Anthropology Today 29
Chapter 2 — Reading, Writing, and Recognition in the Emerging Academy 41
Chapter 3 — O Anthropology, Where Art Thou? An Auto-Ethnography of Proposals 54
Chapter 4 — The Craft of Editing: Anthropology's Prose and Qualms 68
Chapter 5 — The Anglicization of Anthropology: Opportunities and Challenges 81
Part II — Ethnographic Writing 99
Chapter 6 — The Anthropologist as Storyteller 101
Chapter 7 — Writing for the Future 126
Chapter 8 — Life-Writing: Anthropological Knowledge, Boundary-Making, and the Experiential 137
Chapter 9 — Chekhov as Ethnographic Muse 151
Part III — Reaching Out: Popular Writing and Journalism 167
Chapter 10 — On Some Nice Benefits and One Big Challenge of the Second File 169
Chapter 11 — The Writer as Anthropologist 180
Chapter 12 — Writing Together: Tensions and Joy between Scholars and Activists 196
Part IV — Writing across Genres 221
Chapter 13 — Fiction and Anthropological Understanding: A Cosmopolitan Vision 223
Chapter 14 — On Timely Appearances: Literature, Art, Anthropology 238
Chapter 15 — Digital Narratives in Anthropology 251
Chapter 16 — Writing Otherwise 262
Index 279