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Writing Works

Writing Works

Victoria Field | Gillie Bolton | Blake Morrison | Kate Thompson

(2006)

Abstract

The use of creative writing as a route to personal development is a powerful therapeutic tool - a fact that is recognized in the growing numbers of workshops and writing groups within professional contexts, including clinical, health and criminal justice settings.

Writing Works is a guide for writers or therapists working with groups or individuals and is full of practical advice on everything from the equipment needed to run a session to ideas for themes, all backed up by the theory that underpins the methods explained. Experienced practitioners in the field contribute detailed illuminating accounts of organizing writing workshops for a wide range of different clients, together with examples of their outcomes.

This book will be an invaluable start-up reference for arts therapists and professionals working across the health, social care and caring professions, and one that will be referred to again and again.


This is an important resource for anyone who runs writing workshops and a delightful, unputdownable adventure - yes, really! - for anyone who thinks it matters that writing works... I loved the chapters on place and objects, although, as before, I am not looking for overtly 'therapeutic' outcomes. I delight in the recognition of the importance of doing worthwhile, satisfying work. The authors clearly believe that a rigorous attitude to quality is in no way in conflict with catharsis and discovery. I loved the succinctness of the accounts “This is what I wanted to do. This is what happened”. I read this book as I read many creative writing handbooks: as a total immersion experience in a familiar but stimulating pool; a pool that refreshes, relaxes, buoys me up, gives me opportunities for vigorous exercise.
Lapidus Quarterly
The book is full of vignettes from practitioners' experiences of using creative writing in many different ways to bring about therapeutic expression or catharsis. It is presented as a resource handbook for therapeutic writing workshops and activities, and as such contains many interesting approaches and ideas for running successful therapeutic groups…It would be an excellent resource for ideas and developing skills for experienced occupational therapists in mental health and educational settings.
British Journal of Occupational Therapy
Three editors; but – including these three – forty nine contributors. Is it this number and variety of voices which makes Writing Works not merely interesting, but satisfying. It is a collection of simple, sound and enthusiastic advice about using writing as therapy, and it is all the better for spelling out what might be taken for granted.- the importance of the organization, context, location amenities needed before even beginning to work with those who are writing to learn about themselves….Writing works contains many exercises and activity which any creative writing teacher could use with success. In fact, although this is a handbook for therapists, is has a great deal to teach us about how we think through what we are doing, and why, in any writing course/class/workshop. It is also extremely readable, and edited in such a skilful way that it feels as if there is one editor, rather than three. The tone is reassuring, consistent, warm – and a real testament to the work of Lapidus as an organization, as well as the sensitivity of the teachers who contributed... Every NAWE member should buy this book.
NAWE NEWS- Supplement to Writing in Education
The subheading explains what Writing Works is all about: A resource handbook for therapeutic writing workshops and activities.The use of creative writing as a route to personal development is a powerful and therapeutic tool, and therapeutic writing groups are run not only by writers but also by health professionals, occupational therapists and nurses as well as social workers of various kinds. And these groups will often take place in community centres, hospitals, schools, homes for the elderly and rehabilitation centres. This is a highly specialised field in which group leaders will encourage participants to use writing (as the book puts it) 'to explore themselves and their situations, and to express what they think or feel'. The practical aspects of running such a group are explained in the early chapters, and there are also plenty of suggestions for writing exercises that can be set and explored in group sessions. Typical exercises would involve allowing an inanimate object to 'speak' and to write down what it says, using published poems as a springboard for therapeutic writing, and using writing to explore the ways in which group members believe they are perceived by others.
Writers Magazine

Table of Contents

Section Title Page Action Price
FOREWORD vii
ACKNOWLEDGEMENTS viii
CHAPTER 1 Origins and Development of Integrated Training 1
2 Requests for Training 4
3 Setting Up the Courses 9
4 Community Participation 18
5 Curriculum, Manuals and Training Materials 22
6 Monitoring and Evaluation 27
7 Job Placement 37
BIBLIOGRAPHY 42
APPENDICES 43
1 Register of Training Requests 44
2 Community Training Needs Assessment 45
3 Course Registration Form 49
4 Criteria Used to Evaluate Training Requests 50
5 Training Organization's Database Entry Form 52
6 Checking the Classrooms 53
7 The Training Project and Services Contract 55
8 Co-operation Agreement with the Community 69
9 Attendance Sheet 73
10 Instructor's Registration Form (Curriculum Vitae) 74
11 Monthly Technical Report: Contents 76
12 Guidelines for the Preparation of Business Training Reports 77
13 Flowchart for Signing the Agreement 79
14 Contents of the Final Report from the Course to the Project 80
15 Guidelines for the Three-month Evaluation 82
16a Example of a Requisition Slip 83
16b Guidance for Completing the Requisition Slip 85
17 Supervision Survey Form 87
18a Format of the Course Committee's Report 90
18b Guidelines for Presenting the Course Committee's Progress Report 94
19 Course Evaluation Guidelines 97
NOTES 101