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Reflective Laughter

Reflective Laughter

Lesley Milne

(2004)

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Book Details

Abstract

The end of the Cold War brought new opportunities to explore the long tradition and myriad uses of humour through over two centuries of Russian literature and culture. 'Reflective Laughter' is the first book devoted to an overview of this subject. Bringing together contributions from a number of distinguished scholars from Russia, Europe and North America, this volume ranges from the classics of nineteenth-century literature through to the intellectual and popular comedic culture, both state-sponsored and official, of the twentieth-century, taking in journalism, propaganda, scholarly discourse, jokes, films and television. In doing so, it explores how our understanding remains distorted by the polarization of the East and West during the Cold War.


The end of the Cold War brought new opportunities to explore the long tradition and myriad uses of humour through over two centuries of Russian literature and culture. 'Reflective Laughter' is the first book devoted to an overview of this subject. Bringing together contributions from a number of distinguished scholars from Russia, Europe and North America, this volume ranges from the classics of nineteenth-century literature through to the intellectual and popular comedic culture, both state-sponsored and official, of the twentieth-century, taking in journalism, propaganda, scholarly discourse, jokes, films and television. In doing so, it explores how our understanding remains distorted by the polarization of the East and West during the Cold War.

This comprehensive and entertaining book will be of relevance to undergraduate and postgraduate courses in Russian and comparative literature and in cultural studies, as well as a broader audience.


Lesley Milne is Professor and Head of Department in the Department of Russian and Slavonic Studies, Nottingham University, UK.


'The diversity of the authors gives the book both representative breadth and a somewhat eclectic character.'  —Harley Balzer, Associate Professor of Government and International Affairs and Associate Faculty Member of the Department of History, Georgetown University


'Generally speaking, the only thing less funny than humour in translation is humour in translation as explained by a group of scholars. One should make an exception, however, for "Reflective Laughter"…a witty and informative overview [of] a broad and important topic.' —Justin Weir, Assistant Professor of Slavic Languages and Literatures, Harvard University

Table of Contents

Section Title Page Action Price
Front Matter 1
Half Title 1
Title 3
Copyright 4
Contents 5
Note on Transliteration 7
Notes on the Contributors 8
Acknowledgements 12
Main Matter 13
Chapter 1: Introduction, by Lesley Milne 13
Chapter 2: Tragicomic Principles in Pushkin's Drama 'The Covetous Knight', by Valentina Vetlovskaia 27
Chapter 3: Gogol as a Narrator of Anecdotes, by Efim Kurganov 39
I 39
II 41
III 45
IV 47
Conclusion 48
Chapter 4: Anthony Pogorelsky and A. K. Tolstoi: The Origins of Kozma Prutkov, by Marietta Tourian 49
Introduction by Lesley Milne 49
Chapter 5: Comedy Between the Poles of Humour and Tragedy, Beauty and Ugliness: Prince Myshkin as a Comic Character, by Natalia Ashimbaeva 60
1: Gospel Reminiscences and Comedy 62
2: Comedy in the Social Existence of the Hero 64
3: Mockery in the Crowd 66
4: Prince Lev Nikolaevich Myshkin 67
Chapter 6: The Young Lev Tolstoi and Laurence Sterne's A Sentimental Journey: The Test of Irony, by Galina Galagan 68
Chapter 7: Fashioning Life: Teffi and Women's Humour, by Edythe C. Haber 74
1: Authority 76
2: The Domestic and Post-Domestic 78
Chapter 8: Two Facets of Comedic Space in Russian Literature of the Modern Period: Holy Foolishness and Buffoonery, by Ivan Esaulov 83
Chapter 9: Jokers, Rogues and Innocents: Types of Comic Hero and Author from Bulgakov to Pelevin, by Lesley Milne 95
Chapter 10: Escaping the Past? Re-Reading Soviet Satire from the Twenty-First Century: The Case of Zoshchenko, by Gregory Carleton 107
Chapter 11: Evgeny Zamiatin: The Art of Irony, by Vladimir Tunimanov 118
Chapter 12: Godless at the Machine Tool: Antireligious Humoristic Journals of the 1920s and 1930s, by Annie Gerin 128
Chapter 13: The Singing Masses and the Laughing State in the Musical Comedy of the Stalinist 1930s: The Problem of 'Popular Spirit' in Socialist Realist Aesthetics, by Evgeny Dobrenko 140
'The Rest, as They Say, Just Endured It' 140
Genuine Music for the 'Wide Working Masses' (Jazz) 144
'Overcoming the Noise, Screeching and Grinding of the Orchestra' 146
Today's New Music (Song-Song) 147
The Real New Music: The Classic (Opera as Operetta) 150
Chapter 14: The Theory and Practice of 'Scientific Parody' in Early Soviet Russia, by Craig Brandist 155
Shklovsky, Tynianov and the Avant-Garde 155
Viktor Vinogradov 156
Parnas Dybom (1925) 157
Voloshinov and Bakhtin 158
The German Background 159
Neo-Kantianism, Parody and Science 161
Chapter 15: Laughing at the Hangman: Humorous Portraits of Stalin, by Karen Ryan 165
Chapter 16: Varieties of Reflexivity in the Russo-Soviet Anekdot, by Seth Graham 174
Chapter 17: Humour and Satire on Post-Soviet Russian Television, by John Dunn 187
KVN 188
The Rest of the Soviet Inheritance 190
Oba-Na 191
Steb 192
Kukly 193
And the Rest... 196
Conclusion 197
End Matter 199
Notes 199