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Book Details
Abstract
The end of the Cold War brought new opportunities to explore the long tradition and myriad uses of humour through over two centuries of Russian literature and culture. 'Reflective Laughter' is the first book devoted to an overview of this subject. Bringing together contributions from a number of distinguished scholars from Russia, Europe and North America, this volume ranges from the classics of nineteenth-century literature through to the intellectual and popular comedic culture, both state-sponsored and official, of the twentieth-century, taking in journalism, propaganda, scholarly discourse, jokes, films and television. In doing so, it explores how our understanding remains distorted by the polarization of the East and West during the Cold War.
The end of the Cold War brought new opportunities to explore the long tradition and myriad uses of humour through over two centuries of Russian literature and culture. 'Reflective Laughter' is the first book devoted to an overview of this subject. Bringing together contributions from a number of distinguished scholars from Russia, Europe and North America, this volume ranges from the classics of nineteenth-century literature through to the intellectual and popular comedic culture, both state-sponsored and official, of the twentieth-century, taking in journalism, propaganda, scholarly discourse, jokes, films and television. In doing so, it explores how our understanding remains distorted by the polarization of the East and West during the Cold War.
This comprehensive and entertaining book will be of relevance to undergraduate and postgraduate courses in Russian and comparative literature and in cultural studies, as well as a broader audience.
Lesley Milne is Professor and Head of Department in the Department of Russian and Slavonic Studies, Nottingham University, UK.
'The diversity of the authors gives the book both representative breadth and a somewhat eclectic character.' —Harley Balzer, Associate Professor of Government and International Affairs and Associate Faculty Member of the Department of History, Georgetown University
'Generally speaking, the only thing less funny than humour in translation is humour in translation as explained by a group of scholars. One should make an exception, however, for "Reflective Laughter"…a witty and informative overview [of] a broad and important topic.' —Justin Weir, Assistant Professor of Slavic Languages and Literatures, Harvard University
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Front Matter | 1 | ||
Half Title | 1 | ||
Title | 3 | ||
Copyright | 4 | ||
Contents | 5 | ||
Note on Transliteration | 7 | ||
Notes on the Contributors | 8 | ||
Acknowledgements | 12 | ||
Main Matter | 13 | ||
Chapter 1: Introduction, by Lesley Milne | 13 | ||
Chapter 2: Tragicomic Principles in Pushkin's Drama 'The Covetous Knight', by Valentina Vetlovskaia | 27 | ||
Chapter 3: Gogol as a Narrator of Anecdotes, by Efim Kurganov | 39 | ||
I | 39 | ||
II | 41 | ||
III | 45 | ||
IV | 47 | ||
Conclusion | 48 | ||
Chapter 4: Anthony Pogorelsky and A. K. Tolstoi: The Origins of Kozma Prutkov, by Marietta Tourian | 49 | ||
Introduction by Lesley Milne | 49 | ||
Chapter 5: Comedy Between the Poles of Humour and Tragedy, Beauty and Ugliness: Prince Myshkin as a Comic Character, by Natalia Ashimbaeva | 60 | ||
1: Gospel Reminiscences and Comedy | 62 | ||
2: Comedy in the Social Existence of the Hero | 64 | ||
3: Mockery in the Crowd | 66 | ||
4: Prince Lev Nikolaevich Myshkin | 67 | ||
Chapter 6: The Young Lev Tolstoi and Laurence Sterne's A Sentimental Journey: The Test of Irony, by Galina Galagan | 68 | ||
Chapter 7: Fashioning Life: Teffi and Women's Humour, by Edythe C. Haber | 74 | ||
1: Authority | 76 | ||
2: The Domestic and Post-Domestic | 78 | ||
Chapter 8: Two Facets of Comedic Space in Russian Literature of the Modern Period: Holy Foolishness and Buffoonery, by Ivan Esaulov | 83 | ||
Chapter 9: Jokers, Rogues and Innocents: Types of Comic Hero and Author from Bulgakov to Pelevin, by Lesley Milne | 95 | ||
Chapter 10: Escaping the Past? Re-Reading Soviet Satire from the Twenty-First Century: The Case of Zoshchenko, by Gregory Carleton | 107 | ||
Chapter 11: Evgeny Zamiatin: The Art of Irony, by Vladimir Tunimanov | 118 | ||
Chapter 12: Godless at the Machine Tool: Antireligious Humoristic Journals of the 1920s and 1930s, by Annie Gerin | 128 | ||
Chapter 13: The Singing Masses and the Laughing State in the Musical Comedy of the Stalinist 1930s: The Problem of 'Popular Spirit' in Socialist Realist Aesthetics, by Evgeny Dobrenko | 140 | ||
'The Rest, as They Say, Just Endured It' | 140 | ||
Genuine Music for the 'Wide Working Masses' (Jazz) | 144 | ||
'Overcoming the Noise, Screeching and Grinding of the Orchestra' | 146 | ||
Today's New Music (Song-Song) | 147 | ||
The Real New Music: The Classic (Opera as Operetta) | 150 | ||
Chapter 14: The Theory and Practice of 'Scientific Parody' in Early Soviet Russia, by Craig Brandist | 155 | ||
Shklovsky, Tynianov and the Avant-Garde | 155 | ||
Viktor Vinogradov | 156 | ||
Parnas Dybom (1925) | 157 | ||
Voloshinov and Bakhtin | 158 | ||
The German Background | 159 | ||
Neo-Kantianism, Parody and Science | 161 | ||
Chapter 15: Laughing at the Hangman: Humorous Portraits of Stalin, by Karen Ryan | 165 | ||
Chapter 16: Varieties of Reflexivity in the Russo-Soviet Anekdot, by Seth Graham | 174 | ||
Chapter 17: Humour and Satire on Post-Soviet Russian Television, by John Dunn | 187 | ||
KVN | 188 | ||
The Rest of the Soviet Inheritance | 190 | ||
Oba-Na | 191 | ||
Steb | 192 | ||
Kukly | 193 | ||
And the Rest... | 196 | ||
Conclusion | 197 | ||
End Matter | 199 | ||
Notes | 199 |