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The Power of Death

The Power of Death

Maria-José Blanco | Ricarda Vidal

(2014)

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Abstract

The social and cultural changes of the last century have transformed death from an everyday fact to something hidden from view. Shifting between the practical and the theoretical, the professional and the intimate, the real and the fictitious, this collection of essays explores the continued power of death over our lives. It examines the idea and experience of death from an interdisciplinary perspective, including studies of changing burial customs throughout Europe; an account of a“dying party” in the Netherlands; examinations of the fascination with violent death in crime fiction and the phenomenon of serial killer art; analyses of death and bereavement in poetry, fiction, and autobiography; and a look at audience reactions to depictions of death on screen. By studying and considering how death is thought about in the contemporary era, we might restore the natural place it has in our lives.


Ricarda Vidal holds a PhD in Cultural Studies (Birkbeck University of London) and teaches at the department of Culture, Media and Creative Industries at King’s College London.  She has published on urban space, the legacy of Modernism and Romanticism, speed, the car and driving as cultural phenomena, and society’s fascination with death and murder. She is the author of Death and Desire in Car Crash Culture: A Century of Romantic Futurisms (2013).


Maria-José Blanco is a Lecturer and Language teacher in the Department of Spanish Portuguese and Latin American Studies (SPLAS) at King’s College London. She is the author of Life-writing in Carmen Martín Gaite’s Cuadernos de todo and her Novels of the 1990s (2013), and the editor of a special issue of Journal of Romance Studies, “Airing the Private: Women’s Diaries in the Luso-Hispanic World” (2009) and the forthcoming Feminine Singular: Growing up through life-writing in the Luso-Hispanic World (2014).


“As well as for thanatology and death studies specialists, the book will be of even keener interest to those in the various areas touched on in the essays, offering an eye-opening introduction to an interdisciplinary approach in this fascinating field.” · Social Anthropology

“The extraordinary impact of loss is discussed in a number of contexts including war and the complexities of dealing with that experience in a socially and culturally dynamic contemporary society. Contributors are drawn from a range of disciplines and international academic contexts, which makes for rich empirical fare…as well as covering socially important topics.” · Avril Maddrell, University of the West of England

“The conceptual and methodological concerns contained within this collection are very wide ranging and… there is something for every reader who hails from an arts and humanities or social science background.” · Hannah Rumble, University of Bath

Table of Contents

Section Title Page Action Price
Title page iii
Contents v
Illustrations vii
Notes on Contributors viii
Introduction 1
PART I. DEATH IN SOCIETY 11
1. Life Extension, Immortality and the Patient Voice 13
2. Beyond ‘Mourning and Melancholia’ 22
3. War and Requiem Compositions in the Twentieth Century 39
PART II. DEATH IN LITERATURE 53
4. Understanding Death/Writing Bereavement 55
5. A Way of Sorrows for the Twentieth Century 68
6. From Self-Erasure to Self-Affirmation 81
7. Habeas Corpse 91
8. The Fascination with Torture and Death in Twenty-First-Century Crime Fiction 102
PART III. DEATH IN VISUAL CULTURE 113
9. The Power of Negative Creation - Why Art by Serial Killers Sells 115
10. Screening the Dying Individual Film, Mortality and the Ethics of Spectatorship 126
11. The Broken Body as Spectacle 142
12. Death on Display 153
PART IV. CEMETERIES AND FUNERALS 167
13. The Romanian Carnival of Death and the Merry Cemetery of Săpânţa 169
14. In the Dead of Night 183
15. Scenarios of Death in Contexts of Mobility 198
16. Karaoke Death 213
PART V. PERSONAL REFLECTIONS ON DEATH 225
17. Death is Not What it Used to Be 227
18. The Dad Project 237
Index 255