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Abstract
The social and cultural changes of the last century have transformed death from an everyday fact to something hidden from view. Shifting between the practical and the theoretical, the professional and the intimate, the real and the fictitious, this collection of essays explores the continued power of death over our lives. It examines the idea and experience of death from an interdisciplinary perspective, including studies of changing burial customs throughout Europe; an account of a“dying party” in the Netherlands; examinations of the fascination with violent death in crime fiction and the phenomenon of serial killer art; analyses of death and bereavement in poetry, fiction, and autobiography; and a look at audience reactions to depictions of death on screen. By studying and considering how death is thought about in the contemporary era, we might restore the natural place it has in our lives.
Ricarda Vidal holds a PhD in Cultural Studies (Birkbeck University of London) and teaches at the department of Culture, Media and Creative Industries at King’s College London. She has published on urban space, the legacy of Modernism and Romanticism, speed, the car and driving as cultural phenomena, and society’s fascination with death and murder. She is the author of Death and Desire in Car Crash Culture: A Century of Romantic Futurisms (2013).
Maria-José Blanco is a Lecturer and Language teacher in the Department of Spanish Portuguese and Latin American Studies (SPLAS) at King’s College London. She is the author of Life-writing in Carmen Martín Gaite’s Cuadernos de todo and her Novels of the 1990s (2013), and the editor of a special issue of Journal of Romance Studies, “Airing the Private: Women’s Diaries in the Luso-Hispanic World” (2009) and the forthcoming Feminine Singular: Growing up through life-writing in the Luso-Hispanic World (2014).
“As well as for thanatology and death studies specialists, the book will be of even keener interest to those in the various areas touched on in the essays, offering an eye-opening introduction to an interdisciplinary approach in this fascinating field.” · Social Anthropology
“The extraordinary impact of loss is discussed in a number of contexts including war and the complexities of dealing with that experience in a socially and culturally dynamic contemporary society. Contributors are drawn from a range of disciplines and international academic contexts, which makes for rich empirical fare…as well as covering socially important topics.” · Avril Maddrell, University of the West of England
“The conceptual and methodological concerns contained within this collection are very wide ranging and… there is something for every reader who hails from an arts and humanities or social science background.” · Hannah Rumble, University of Bath
Table of Contents
Section Title | Page | Action | Price |
---|---|---|---|
Title page | iii | ||
Contents | v | ||
Illustrations | vii | ||
Notes on Contributors | viii | ||
Introduction | 1 | ||
PART I. DEATH IN SOCIETY | 11 | ||
1. Life Extension, Immortality and the Patient Voice | 13 | ||
2. Beyond ‘Mourning and Melancholia’ | 22 | ||
3. War and Requiem Compositions in the Twentieth Century | 39 | ||
PART II. DEATH IN LITERATURE | 53 | ||
4. Understanding Death/Writing Bereavement | 55 | ||
5. A Way of Sorrows for the Twentieth Century | 68 | ||
6. From Self-Erasure to Self-Affirmation | 81 | ||
7. Habeas Corpse | 91 | ||
8. The Fascination with Torture and Death in Twenty-First-Century Crime Fiction | 102 | ||
PART III. DEATH IN VISUAL CULTURE | 113 | ||
9. The Power of Negative Creation - Why Art by Serial Killers Sells | 115 | ||
10. Screening the Dying Individual Film, Mortality and the Ethics of Spectatorship | 126 | ||
11. The Broken Body as Spectacle | 142 | ||
12. Death on Display | 153 | ||
PART IV. CEMETERIES AND FUNERALS | 167 | ||
13. The Romanian Carnival of Death and the Merry Cemetery of Săpânţa | 169 | ||
14. In the Dead of Night | 183 | ||
15. Scenarios of Death in Contexts of Mobility | 198 | ||
16. Karaoke Death | 213 | ||
PART V. PERSONAL REFLECTIONS ON DEATH | 225 | ||
17. Death is Not What it Used to Be | 227 | ||
18. The Dad Project | 237 | ||
Index | 255 |