Abstract

With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture and the avant-garde, features that lead to productive and often highly original confrontations between high and low.

"...provides a hugely readable, insightful examination of Billy Wilder's American films as the product of transnational cultural exchange."  ·  Monatshefte

"Gemünden's vital decoding of Wilder's translation of himself into the American vernacular offers stimulating new material and perspectives that will no doubt shape Wilder scholarship to come."  ·  Austrian Studies Newsletter

"Billy Wilder is hard to trump, because everything one writes about him is only half as entertaining as his great sense of humor. Gerd Gemünden, however, achieves a small miracle: his A Foreign Affair is a highly readable yet serious critical study that reveals Wilder, the alleged cynic, as the moralist he really was."  ·  Volker Schlöndorff